1 00:00:00,000 --> 00:00:03,420 Prince: How can a non musician discuss the future of music from 2 00:00:03,420 --> 00:00:07,200 anything other than a consumer point of view? These people make 3 00:00:07,200 --> 00:00:10,920 decisions for the bulk of us without consulting any of us, 4 00:00:11,100 --> 00:00:15,420 sales and distributions of our futures. If this world were fair 5 00:00:15,420 --> 00:00:18,840 and right, they'd give up the car keys this very night. You 6 00:00:18,000 --> 00:00:35,460 Kevin Bae: music, hello everybody. Welcome to a special 7 00:00:35,490 --> 00:00:42,600 episode of Sats and sounds, episode number 87 for March 31, 8 00:00:43,020 --> 00:00:47,760 2025, the reason it's special is because I'm not here. This is 9 00:00:47,760 --> 00:00:53,820 semi live. It's live because I'm recording it live. I'm streaming 10 00:00:53,820 --> 00:00:56,250 it live. There's nobody there because nobody knows it's there, 11 00:00:57,030 --> 00:01:00,450 and I'm doing it anyway. I am not here. I am right now, 12 00:01:00,450 --> 00:01:05,910 probably getting ready for bed. I should, well, no, I'm 13 00:01:05,910 --> 00:01:09,540 probably, I'm on my way back from Mont Saint Michel in 14 00:01:09,540 --> 00:01:16,080 France. Should be on a bus heading back to our base camp in 15 00:01:16,080 --> 00:01:22,830 Paris to start my next day's excursion. So I've got some 16 00:01:23,280 --> 00:01:26,040 songs that I've been holding on to for a while. You know, I do 17 00:01:26,040 --> 00:01:31,830 this whenever I go out of town. And while these are not freshly 18 00:01:31,830 --> 00:01:35,400 rendered bits, it doesn't mean they're stale. They're just 19 00:01:35,400 --> 00:01:39,090 songs that just didn't fit into what I was doing that week. So I 20 00:01:39,090 --> 00:01:45,180 keep them to play them on occasions like this. We are 21 00:01:45,180 --> 00:02:04,230 starting out with a rocking tune by Tony salamoni. Unleash you. 22 00:02:04,260 --> 00:02:10,740 Unknown: I guess this is goodbye. We know it's been a 23 00:02:10,740 --> 00:02:20,180 long time coming, but now we gotta fight. Yes, we've been 24 00:02:20,180 --> 00:02:29,540 keeping our demons hit us. There's fire in your words, and 25 00:02:29,540 --> 00:02:36,380 I know it's gotta hurt. Burns in your mouth, and if you want to, 26 00:02:36,380 --> 00:02:39,740 You can let it out. Something's 27 00:02:41,060 --> 00:03:15,660 changing. Got a whole we victims 28 00:03:16,140 --> 00:03:25,340 to our faith? Am I guilty or just the first to walk away, but 29 00:03:25,340 --> 00:03:29,720 now you're talking down to me, and it makes me kind of glad I 30 00:03:29,720 --> 00:03:31,160 didn't say Show me your words, but there's 31 00:03:42,740 --> 00:03:53,740 Gonna gotta hold on. 32 00:04:00,000 --> 00:04:54,160 I believe. I show me your words. Yeah, make it hurt. Go. 33 00:05:26,300 --> 00:05:32,120 Kevin Bae: Yeah, Tony ceremony and unleash. Next up, we've got 34 00:05:32,180 --> 00:05:35,000 Embleton and you're killing me. 35 00:05:39,080 --> 00:05:48,160 Unknown: Sunrise coming. I'm guilty again. Rooster crowing. 36 00:05:49,540 --> 00:06:01,780 It's not the first time I see you running you kiss my neck and 37 00:06:01,780 --> 00:06:09,780 pick me up Again, and it feels like Diane, the slow dead Lord. 38 00:06:20,000 --> 00:06:27,980 Oh, dear Lord, don't you know they are killing 39 00:06:30,740 --> 00:06:37,340 me with kindness. You're living the picture. 40 00:06:48,940 --> 00:06:49,780 You, Jesus, your King. 41 00:07:08,340 --> 00:07:12,780 I thought you were a ghost just in there. Didn't care always, 42 00:07:12,780 --> 00:07:17,940 man, looking for the bad in me. I compared you to my dad. To be 43 00:07:17,940 --> 00:07:21,260 honest, I've been wondering if you could really love me. I 44 00:07:21,260 --> 00:07:21,440 thought 45 00:07:23,120 --> 00:07:25,580 you were a cautious standing there. Didn't care, always mad, 46 00:07:28,160 --> 00:07:29,360 looking for the bad in 47 00:07:30,440 --> 00:07:31,700 me. I compared you to my dad. To 48 00:07:32,840 --> 00:07:36,560 me, honest, I've been wondering if you could really love me. You 49 00:07:37,940 --> 00:07:43,180 said you really loved me, and it feels like Heaven, 50 00:07:48,940 --> 00:07:53,020 and it feels like dying, don't you? 51 00:07:59,080 --> 00:07:59,620 Kill me? 52 00:08:21,360 --> 00:08:23,300 Leo, don't kill me. I can't believe it. 53 00:08:30,980 --> 00:08:40,360 Singing, Canada 54 00:08:45,640 --> 00:08:49,180 ringing through these halls. 55 00:08:54,760 --> 00:08:55,540 Don't you know that you're 56 00:08:59,500 --> 00:09:03,480 killing me with kindness? You're 57 00:09:17,820 --> 00:09:20,120 kidding me. Oh, me. 58 00:09:38,780 --> 00:09:41,320 Kevin Bae: Jesus, nice song. Next up, we've got Jack 59 00:09:41,320 --> 00:09:45,040 feminister and wild out there, 60 00:09:47,920 --> 00:09:52,000 Unknown: a pimp through a window with some stinkers places people 61 00:09:52,060 --> 00:09:58,060 once were that now are deserted, so wild out there, driving down 62 00:09:58,060 --> 00:10:01,740 Main Streets the first time in rings. The herd are all lined up 63 00:10:01,740 --> 00:10:06,420 to one by one. See the mundane and missing reason to leave and 64 00:10:06,480 --> 00:10:08,940 stand on street corners I remember 65 00:10:22,620 --> 00:10:26,600 hold holding our own lives and seeking fantastic return to the 66 00:10:26,720 --> 00:10:29,660 ones that don't corrupt their own interests. They gracious. 67 00:10:29,660 --> 00:10:32,060 They turn on the lines of words, oh, 68 00:10:41,780 --> 00:10:45,040 wow, psychedelic daydreams of household vaccines. They don't 69 00:10:45,040 --> 00:10:49,540 care about us, and you don't seem to see you're why it's wild 70 00:10:49,960 --> 00:10:54,580 out there. Baby bags, people in big, empty houses. They're 71 00:10:54,580 --> 00:10:58,060 selfish at home. Of our worst when they're out of it, back 72 00:10:58,060 --> 00:11:02,640 bone the folds would all those around it'll stay safe inside my 73 00:11:02,640 --> 00:11:07,620 sixth class of one. I've heard it's all wild out there, I've 74 00:11:07,620 --> 00:11:11,940 heard it's all wild out there. I've heard it so wild out there. 75 00:11:11,940 --> 00:11:15,540 I've heard it so wild out there. Oh. 76 00:11:20,780 --> 00:11:21,380 One, two you 77 00:12:00,820 --> 00:12:05,100 Kevin Bae: so as I'm, as I said, I am not here. This is not live, 78 00:12:05,820 --> 00:12:13,380 but it is sort of live. I have absolutely nobody on the stream 79 00:12:13,380 --> 00:12:19,440 right now. Well, the reason I stream it live anyway, I like to 80 00:12:19,440 --> 00:12:21,800 record live that. I don't edit anything. All the mistakes are 81 00:12:21,800 --> 00:12:24,620 there. It's all it's all hanging out there. But sometimes when I 82 00:12:25,220 --> 00:12:28,820 turn on the stream, because I'll, I'll do the stream, I'll 83 00:12:28,820 --> 00:12:32,420 start it like an hour before I'm actually gonna do the show when 84 00:12:32,420 --> 00:12:37,280 I do it live. And occasionally, just people run across it. I had 85 00:12:37,460 --> 00:12:41,240 listeners from like China, from other places in the world. I 86 00:12:41,240 --> 00:12:43,600 don't even know how they bumped into it, because it's not 87 00:12:43,600 --> 00:12:47,860 something i i just put out there. I guess it's on it's on 88 00:12:47,860 --> 00:12:51,640 my website. So if somebody runs across the website, SATs and 89 00:12:51,640 --> 00:12:54,520 sounds calm, they would run across a link for the live 90 00:12:54,520 --> 00:12:59,020 stream. And so they just kind of somehow tune in. And so I just 91 00:12:59,020 --> 00:13:01,800 kind of do it anyway, just in case somebody shows up. You 92 00:13:01,800 --> 00:13:06,300 never know. This is a value for value music podcast. And to 93 00:13:06,300 --> 00:13:09,120 participate, you need a modern podcast app. Go to modern 94 00:13:09,120 --> 00:13:13,860 podcast apps.com pick one out for yourself. I've got links on 95 00:13:13,860 --> 00:13:17,340 my website. SATs and sounds calm to cast O Matic fountain podcast 96 00:13:17,340 --> 00:13:21,320 guru. Pod, first curio caster. Pod, friend and true fans. And 97 00:13:21,560 --> 00:13:26,240 with the modern podcast app, you load up the wallet with some 98 00:13:26,240 --> 00:13:29,300 bitcoin, and then you stream while you listen, you stream 99 00:13:29,300 --> 00:13:31,700 payments. While you listen, you set the amount that you stream, 100 00:13:32,480 --> 00:13:35,660 and while you're listening on this show, 95% goes to the 101 00:13:35,660 --> 00:13:38,240 artist you're listening to. So when you hear a song and you're 102 00:13:38,240 --> 00:13:42,580 streaming payments to them, and the song changes, the wallet 103 00:13:42,580 --> 00:13:46,720 changes, so that way anything that you're sending gets 104 00:13:46,720 --> 00:13:49,480 attributed to the artist that's playing. You can also do 105 00:13:49,480 --> 00:13:51,880 something called a boost, where you hit the boost button in the 106 00:13:51,880 --> 00:13:56,560 app and you send some extra SATs. Or you can send what's 107 00:13:56,560 --> 00:13:59,740 called a boost to gram, and that's sending extra SATs along 108 00:13:59,740 --> 00:14:03,720 with a message, now I've got no boosts or boost to grams for 109 00:14:03,720 --> 00:14:09,420 this week, because obviously, at least I've got, I don't know 110 00:14:09,420 --> 00:14:13,200 what I've got, if I've got anything, so normally I read the 111 00:14:13,200 --> 00:14:15,900 boosts at this point in time in the show. But since there's 112 00:14:15,900 --> 00:14:23,060 nothing, we're just gonna move on with more music that just 113 00:14:23,060 --> 00:14:27,320 never made it into the show we've got coming up here, Asaph 114 00:14:27,500 --> 00:14:31,520 folks, hopefully I'm pronouncing that right, Asaph, or Asaph 115 00:14:31,760 --> 00:14:39,800 folks, in a song that will probably that has a theme that 116 00:14:39,800 --> 00:14:44,500 we should all inspired to and it's color the heart. 117 00:14:46,840 --> 00:14:50,260 Unknown: It's not the color of the skin that matters, but the 118 00:14:50,260 --> 00:14:55,120 color of the heart. It's not where you have come from, but 119 00:14:55,120 --> 00:15:00,060 where you set to start. It's not the things you worship. It's. Or 120 00:15:00,060 --> 00:15:05,040 the stuff you Flint around, but the words you speak to others 121 00:15:05,400 --> 00:15:09,720 that make you wear a crown. It's the color of the heart that 122 00:15:09,720 --> 00:15:15,420 makes you who you are. Shades of what you do or say can heal or 123 00:15:15,420 --> 00:15:16,980 they can scar without 124 00:15:16,980 --> 00:15:20,720 the hate and the size we are not changing our lives to wash away 125 00:15:20,720 --> 00:15:24,140 all of the colors. I plan on taking the dye we conquer the 126 00:15:24,140 --> 00:15:27,560 gold, place it in reach, save it and make it unique, and what we 127 00:15:27,560 --> 00:15:30,200 keep gaining is peace, maintaining the face of defeat. 128 00:15:30,440 --> 00:15:33,920 When the power of love starts to overcome. Love for the power, we 129 00:15:34,040 --> 00:15:38,300 just water the trust and it turn into flowers. We put in the 130 00:15:38,300 --> 00:15:41,680 hours we can empower make it a pain for the doubters. Ironic. 131 00:15:41,680 --> 00:15:44,080 They want us to fall, and the blessings start ringing it 132 00:15:44,080 --> 00:15:47,200 louder, the beauty all over the world to find from the inside, 133 00:15:47,380 --> 00:15:50,200 though everybody might hear some incline, seeing progress is a 134 00:15:50,200 --> 00:15:54,160 big sign. Look, I'm color blind. I know the Unity bringing the 135 00:15:54,160 --> 00:15:56,740 strength. And the ones that's complaining the most, they 136 00:15:56,740 --> 00:15:59,200 usually ain't moving the inch. So let's build down here 137 00:15:59,200 --> 00:16:02,460 in the country, we don't raise our kids see black and white. We 138 00:16:02,460 --> 00:16:04,740 raise them up strong in the Lord. Teach them how to see 139 00:16:04,740 --> 00:16:07,980 wrong and right. If we could just all pull together, then we 140 00:16:07,980 --> 00:16:11,340 can win this fight. Love your brother, love your sister. Walk 141 00:16:11,340 --> 00:16:14,760 by faith, not by sight. Look with your heart, open your mind, 142 00:16:14,760 --> 00:16:17,820 because we are all God's children on the inside, open 143 00:16:17,820 --> 00:16:20,600 your eyes. Been beautiful from the beginning when we take our 144 00:16:20,600 --> 00:16:23,900 last prayer for no time left when this journey's over, love 145 00:16:23,900 --> 00:16:26,300 is what lasts, and all that matters is, how do we treating 146 00:16:26,300 --> 00:16:30,980 each other? We gotta look at one another down deep within and not 147 00:16:30,980 --> 00:16:35,360 just focus on the surface color of our skin, but if we only look 148 00:16:35,360 --> 00:16:40,160 for good and see what we can find. This is our time. Let it 149 00:16:40,160 --> 00:16:40,760 shine colors. 150 00:16:41,180 --> 00:16:45,640 Love what we talking about, what they talking about. Time to work 151 00:16:45,640 --> 00:16:50,080 it out. Yeah, time we talk it out. Use colors as propaganda 152 00:16:50,080 --> 00:16:53,920 tools. Dividing, conquer the value. Unite with honor our 153 00:16:54,160 --> 00:16:54,640 tools. 154 00:16:54,820 --> 00:16:57,700 We want to spend it together. Change for the better money and 155 00:16:57,700 --> 00:17:00,640 looks to see. Words are what matter. Actions are measured, 156 00:17:00,640 --> 00:17:04,560 not the color of one's green on this, we can all agree, as easy 157 00:17:04,560 --> 00:17:09,000 as 123, so many faces, races and places for you is all I see. 158 00:17:09,600 --> 00:17:13,440 You see many faces. It's really only one racing. That's why I'm 159 00:17:13,440 --> 00:17:16,860 color blind. Only thing that matters is your vibration. Feel 160 00:17:16,860 --> 00:17:20,960 me. I forgot more love. You can see it in my aura. Every win is 161 00:17:20,960 --> 00:17:24,620 a celebration. If we together, we forward, be there for your 162 00:17:24,620 --> 00:17:28,160 people show up different coaches say they know us. We together 163 00:17:28,160 --> 00:17:31,940 like one family, very sacred, like the load up compassion in 164 00:17:31,940 --> 00:17:35,780 my face to feel no pain is in you may embrace it and keep in 165 00:17:35,780 --> 00:17:36,500 faith that unity 166 00:17:37,820 --> 00:17:41,980 remains. It's not the color of the skin that matters, but the 167 00:17:41,980 --> 00:17:48,280 color of the heart ignorance comes in all colors, but love 168 00:17:48,520 --> 00:17:49,720 sets you apart. 169 00:17:50,980 --> 00:17:56,500 Kevin Bae: Be nice if we could get back to that, wouldn't it? 170 00:17:56,800 --> 00:18:02,100 Well, who knows. So I follow up that one with a song by Luke 171 00:18:02,100 --> 00:18:07,740 wood. And you know, I didn't listen to it again before 172 00:18:07,740 --> 00:18:11,520 playing it now, so I don't know if it actually goes beam wise 173 00:18:11,520 --> 00:18:14,580 after color of the heart, but the song is titled better days, 174 00:18:14,580 --> 00:18:18,960 and hopefully we can get back to not only being colorblind, but 175 00:18:20,640 --> 00:18:25,160 having better days. My segues are still hot. Red Hot 176 00:18:29,540 --> 00:18:32,060 Unknown: is ill, but I can't sleep. 1000 177 00:18:34,640 --> 00:18:37,220 voices in my head can get no relief. I 178 00:18:47,380 --> 00:18:53,440 i wish i could turn this down, drum it out, 179 00:18:54,460 --> 00:18:56,140 and turn this train around. 180 00:19:06,840 --> 00:19:07,800 I turn on the TV, 181 00:19:11,520 --> 00:19:14,340 everything I see a little saddens me. Is it all to 182 00:19:14,400 --> 00:19:14,700 believe? 183 00:19:24,020 --> 00:19:26,060 Me this American dream. 184 00:19:28,580 --> 00:19:30,560 Don't feel like a dream. 185 00:19:31,520 --> 00:19:37,520 Feels like a tragedy. I'm praying for better. 186 00:20:24,740 --> 00:20:25,340 Opening got 187 00:20:37,220 --> 00:21:55,420 Open. Before the Change starts running. 188 00:22:10,020 --> 00:22:13,560 Kevin Bae: Now. Now we move on to Jay Eddie's country Express, 189 00:22:14,340 --> 00:22:15,600 baby, I'll Be Missing you. 190 00:22:17,640 --> 00:22:20,120 Unknown: Sorry for loving you. 191 00:22:23,120 --> 00:22:28,580 What exactly do you expect me to do? Well, Bae, Bae, I'll Be 192 00:22:28,580 --> 00:22:29,000 Missing you. 193 00:22:35,840 --> 00:22:39,920 Hey, there you've been messing around with all the other girls. 194 00:22:40,000 --> 00:22:46,780 Up with all the other girls in the town and Bae, Bae, I'll be 195 00:22:46,780 --> 00:22:47,080 missing. 196 00:22:53,800 --> 00:22:54,460 You. You've been seen 197 00:23:00,700 --> 00:23:06,180 baby in bae, home after they get 198 00:23:11,400 --> 00:23:11,760 through with 199 00:23:20,160 --> 00:23:30,080 you, baby. I Honey, 200 00:23:30,800 --> 00:23:36,080 don't come around. I'm sick and tired of the talking town 201 00:23:36,080 --> 00:23:42,160 because, Baby, I'll Be Missing you. I'll Be Missing you 202 00:24:22,200 --> 00:24:22,920 you've Been 203 00:24:31,040 --> 00:24:34,220 you make it through 204 00:24:40,000 --> 00:24:40,660 come home 205 00:24:45,880 --> 00:24:48,640 and just make it through 206 00:24:56,440 --> 00:25:00,480 with you, baby. I. Ever missing 207 00:25:06,540 --> 00:25:08,520 Kevin Bae: you? Jay Eddie's country Express, baby, I'll Be 208 00:25:08,520 --> 00:25:14,040 Missing you. So if you're new to listening to this podcast, we 209 00:25:14,040 --> 00:25:17,760 just kind of ran across it normally. What I do is I play 210 00:25:18,600 --> 00:25:21,380 songs that have just been posted. I call them freshly 211 00:25:21,380 --> 00:25:24,320 rendered bits, which is not taking off anywhere, but it's 212 00:25:24,320 --> 00:25:29,120 okay. I'm gonna keep going with it. I play new songs that have 213 00:25:29,120 --> 00:25:34,160 been they may not be new, but they're newly posted online in 214 00:25:34,160 --> 00:25:37,940 the value for value world, or what's sometimes called the 215 00:25:37,940 --> 00:25:42,880 value first. And I find my music most of the time using the 216 00:25:42,880 --> 00:25:49,360 website, ln beats.com it's Larry Nancy beats.com and I kind of 217 00:25:49,360 --> 00:25:54,880 sift through there, and I go to all the new stuff, and I find 218 00:25:55,120 --> 00:25:59,260 songs that, you know, kind of strike my fancy, and they're all 219 00:25:59,260 --> 00:26:02,940 different genres. You know, they're probably more rock and 220 00:26:02,940 --> 00:26:06,600 pop heavy, but I'll play country. I'll play some hip hop, 221 00:26:07,320 --> 00:26:11,700 some reggae even, but you know, all kinds of stuff that I'll 222 00:26:11,700 --> 00:26:15,420 play, and that's why you see in a show like this, where I'm not 223 00:26:15,420 --> 00:26:19,740 around and I'm using tracks that I've kind of saved and held 224 00:26:19,740 --> 00:26:22,880 behind because they didn't fit into whatever I was playing. Was 225 00:26:22,880 --> 00:26:26,840 playing that week. Because this song, this song, this show, is a 226 00:26:26,840 --> 00:26:30,080 half an hour, so it's a quick hit, where you can get roughly 227 00:26:30,080 --> 00:26:36,020 nine or 10 songs of new tracks that were released online in the 228 00:26:36,020 --> 00:26:40,360 past week. In a week or two, that's usually how fresh they 229 00:26:40,360 --> 00:26:46,540 are. I mean, that way, you know, you can get some of the music 230 00:26:46,660 --> 00:26:49,720 from artists maybe you've never heard of, you know, many of them 231 00:26:49,720 --> 00:26:53,800 I've never heard of, and it's been fantastic to discover all 232 00:26:53,800 --> 00:26:56,680 this music that's out there that people are making that otherwise 233 00:26:56,680 --> 00:27:00,120 you would never hear. And the reason we do this value for 234 00:27:00,120 --> 00:27:03,540 values, because the artists themselves will report back that 235 00:27:03,540 --> 00:27:07,080 they've seen more money through music podcasts like this one, 236 00:27:07,260 --> 00:27:13,080 and other ones like lightning, thrashes and Magic Mountain 237 00:27:13,080 --> 00:27:20,360 Music, hour up beats, it's a mood, all These different music 238 00:27:20,360 --> 00:27:24,140 shows that play these new tracks, they're reporting that 239 00:27:24,140 --> 00:27:28,700 they're getting more money through value for value music 240 00:27:28,700 --> 00:27:32,900 than they're getting through even like Spotify in just a few 241 00:27:32,900 --> 00:27:35,480 months. Or I've been doing this for two years now than they've 242 00:27:35,480 --> 00:27:39,620 received from Spotify ever. So we're gonna continue on the next 243 00:27:39,680 --> 00:27:46,960 one is a track by garage t rashington. Interesting name his 244 00:27:46,960 --> 00:27:53,980 track is, kill me, baby, interesting track, quirky song, 245 00:27:53,980 --> 00:27:54,160 kill 246 00:27:59,500 --> 00:28:02,980 Unknown: me. Baby. 247 00:28:04,920 --> 00:28:06,300 Me, baby, but not so fast. 248 00:28:12,420 --> 00:28:22,980 Let the good taste light and if the Good goes, bae. Bae, 249 00:28:41,600 --> 00:28:43,720 and reach the promised 250 00:28:57,160 --> 00:29:08,400 land. I don't want you to see me cry. Just simply hate my 251 00:29:14,640 --> 00:29:16,740 kill me, baby, 252 00:29:20,760 --> 00:29:22,820 right there in your hearts, I will feel no harm 253 00:29:33,200 --> 00:29:42,340 As the world goes dark, go home and kill 254 00:29:47,980 --> 00:29:48,340 me, baby. 255 00:29:59,080 --> 00:30:01,500 Just do. O, kill me, 256 00:30:13,860 --> 00:30:25,580 baby, kill me. Baby, say goodbye and 257 00:30:33,200 --> 00:30:40,040 kill me. Baby, kill me. 258 00:30:42,740 --> 00:30:46,480 Baby, kill me. Baby, 259 00:30:52,360 --> 00:30:52,900 kill me. Baby, 260 00:31:06,240 --> 00:31:09,420 Kevin Bae: here's another artist that I like a lot, and for some 261 00:31:09,420 --> 00:31:12,720 reason she always ends up just kind of on my cutting room 262 00:31:12,720 --> 00:31:17,880 floor, and I don't know why, but this is from her album. Say La 263 00:31:17,880 --> 00:31:21,500 vie. This is Lumba. And remember, 264 00:31:30,860 --> 00:31:33,320 Unknown: God, show me, please. 265 00:31:39,260 --> 00:31:42,700 Tell me. Show me every memory in the moment side of frozen in 266 00:31:42,700 --> 00:31:42,880 time, 267 00:31:49,600 --> 00:31:53,800 because these are the things I want to remember, even the bae 268 00:31:53,800 --> 00:32:01,440 and tits and fights, won't you tell me I want to remember these 269 00:32:01,500 --> 00:32:06,540 are the days I want to talk about how you and I survived the 270 00:32:06,540 --> 00:32:10,020 night. Won't you Tell me I wanna remember 271 00:32:46,300 --> 00:32:56,260 me if I slowly start to lose my soul, and you can reach me if 272 00:32:58,180 --> 00:33:06,900 you lose me, Show me your memory and the moments are frozen in 273 00:33:06,900 --> 00:33:11,400 time, darling, because these are the things I want to remember, 274 00:33:11,760 --> 00:33:16,260 even the bae and tears and fights, won't you tell me I want 275 00:33:17,040 --> 00:33:23,420 to Remember. These are the days I want to talk about how you and 276 00:33:23,420 --> 00:33:26,540 I survived the nights. Won't you tell me I want to remember 277 00:33:53,860 --> 00:33:57,460 because these are the things I want to talk about, even the 278 00:33:57,760 --> 00:34:05,700 penances and fights, won't you tell me, I wanna remember. These 279 00:34:05,700 --> 00:34:11,040 are the days I wanna talk about how you and Dad survives. Won't 280 00:34:11,280 --> 00:34:14,520 you tell me, I wanna remember who 281 00:34:40,000 --> 00:34:41,800 boom, boom, boom boom. 282 00:35:01,500 --> 00:35:03,480 Kevin Bae: Now for something just a little different, 283 00:35:03,480 --> 00:35:06,000 sometimes I say completely different. But this one's only a 284 00:35:06,840 --> 00:35:11,760 little different. It's Dimitri. Do it? No dollars, no pesos, no 285 00:35:11,760 --> 00:35:13,560 shit coin, just Bitcoin. Bitch coins. 286 00:35:22,080 --> 00:35:23,300 Unknown: Welcome to the Bitcoin beach. 287 00:35:24,680 --> 00:35:28,640 Bitcoin Beach, oh yeah. Bitcoin Beach, oh yeah. 288 00:35:30,440 --> 00:35:31,340 Bitcoin Beach, oh yeah. Do 289 00:35:35,960 --> 00:35:42,560 it With the Bitcoin beach. 290 00:35:59,140 --> 00:36:08,220 Me Wait. El Salvador, 291 00:36:18,720 --> 00:36:29,180 gonna say, yeah, gonna save you all, yeah, gonna save you all. I 292 00:36:29,180 --> 00:36:30,140 don't wear your prime. Don't 293 00:36:31,160 --> 00:36:34,940 give me no drama. I just feeling back, yeah, give a try to give 294 00:36:34,940 --> 00:36:37,940 me and then I stay calm again. I don't take my shit points. I 295 00:36:37,940 --> 00:36:39,140 just said, your Bitcoin bitch, 296 00:36:40,460 --> 00:36:41,360 Bitcoin bitch. Oh yeah, you 297 00:36:51,820 --> 00:36:54,280 Goo, goo scoopies. Remember me, shackles, shackles country 298 00:36:54,820 --> 00:36:57,880 central banks get some clarification. Rates rise and 299 00:36:57,880 --> 00:37:00,700 fall, comma now make that call with trader Nunavut To our 300 00:37:00,700 --> 00:37:06,120 Bitcoin beach and Bitcoin El Salvador. El Salvador. 301 00:37:24,500 --> 00:37:27,920 Bae, will you take his daughters? Will you take his 302 00:37:27,920 --> 00:37:28,160 Euro 303 00:37:33,500 --> 00:37:36,380 salad for door? Bitcoin? 304 00:37:58,120 --> 00:38:01,800 Salvador peso, are we fine? So 305 00:38:06,120 --> 00:38:09,120 Kevin Bae: the song was Bitcoin beach. But of course, with 306 00:38:09,180 --> 00:38:13,440 whatever accent they're singing with, it's Bitcoin bitch. I 307 00:38:13,440 --> 00:38:19,020 thought it was fun. That is your show for this week. Go to 308 00:38:19,020 --> 00:38:22,700 satsounds.com I have links to every track you heard today. 309 00:38:23,540 --> 00:38:26,300 Also hit up the shop link. You can get yourself a SATs and 310 00:38:26,300 --> 00:38:32,000 sounds t shirt, which everybody needs. Everybody needs it. Well, 311 00:38:32,600 --> 00:38:37,880 I need you to have it. Go to podcast index.org hit up their 312 00:38:37,880 --> 00:38:42,880 big red donate button. Help them out, because they make all of 313 00:38:42,880 --> 00:38:48,220 this possible. Hopefully I'm not too tired on my way back on the 314 00:38:48,220 --> 00:38:52,840 bus back to Paris, because I got some baguettes to eat in the 315 00:38:52,840 --> 00:38:59,620 morning. Next week, I'll also be a recorded show, nothing live 316 00:38:59,620 --> 00:39:03,300 next week. I'm not sure exactly. I don't think I have anything 317 00:39:03,300 --> 00:39:07,680 scheduled for that Monday. So it's a anything goes in Paris, 318 00:39:07,800 --> 00:39:14,340 wherever my wife leads me. So until that time later, I