1 00:00:00,000 --> 00:00:03,420 Prince: How can a non musician discuss the future of music from 2 00:00:03,420 --> 00:00:07,260 anything other than a consumer point of view? These people make 3 00:00:07,260 --> 00:00:10,920 decisions for the bulk of us without consulting any of us, 4 00:00:11,100 --> 00:00:15,420 sales and distributions of our futures. If this world were fair 5 00:00:15,420 --> 00:00:18,840 and right, they'd give up the car keys this very night. You 6 00:00:18,000 --> 00:00:35,280 Kevin Bae: music, happy Monday, everybody at SATs and sounds. 7 00:00:35,280 --> 00:00:46,680 Episode, 80... 80?, February 10, 2025, the year is flying by so 8 00:00:46,680 --> 00:00:50,910 fast, and I was just taking a peek just before the show 9 00:00:50,910 --> 00:00:56,220 started. Daylight Savings Time starts in four weeks. You just 10 00:00:56,220 --> 00:01:00,330 need to go one way or the other and get rid of this thing. It's 11 00:01:00,330 --> 00:01:05,460 so short. Now the time change. Let's see what do we got up 12 00:01:05,460 --> 00:01:08,250 first, we got the survival guide. I got Survival Guide 13 00:01:08,250 --> 00:01:14,280 back, some freshly rendered bits, and a track called so 14 00:01:14,280 --> 00:01:33,630 super slow. I 15 00:01:33,680 --> 00:01:36,560 Unknown: You got easy. I've been studying. I did all for you, And 16 00:01:36,560 --> 00:01:39,080 you weren't there. I everything. 17 00:02:00,000 --> 00:02:00,540 Side to play. I 18 00:02:09,000 --> 00:02:12,780 made your breakfast. You never showed up. You're doing a 19 00:02:12,780 --> 00:02:17,400 terrible job of sticking to my butt. I read your face like the 20 00:02:17,580 --> 00:02:20,960 neon Bega sign. Don't say camp, because I know You can feel 21 00:02:40,000 --> 00:02:42,340 world of 22 00:03:02,740 --> 00:03:05,340 things. I was 23 00:03:07,680 --> 00:03:12,780 looking for Things I do believe 24 00:03:56,980 --> 00:04:00,100 Kevin Bae: the survival guide. We got another track from them, 25 00:04:00,220 --> 00:04:04,080 maybe next week I'll play it. This is another one I band that 26 00:04:04,080 --> 00:04:09,780 I played last week. This is TV shock and a track called she 27 00:04:09,780 --> 00:04:11,100 lost control. 28 00:04:22,680 --> 00:04:26,000 Unknown: Officer. She 29 00:04:45,880 --> 00:04:54,640 she's the sexy. She's 30 00:04:58,060 --> 00:05:01,080 the girl you. I don't know 31 00:05:57,580 --> 00:05:58,240 Jesus better be 32 00:06:02,320 --> 00:06:11,700 important so I say it just came To me. I just had to sing it 33 00:06:11,700 --> 00:06:12,360 loud, chasing 34 00:06:20,000 --> 00:06:20,420 Sunday, Bae, 35 00:06:25,820 --> 00:06:34,460 we'll just figure it out. On the way, 36 00:06:39,020 --> 00:06:40,340 I said, I've got it back. 37 00:06:42,080 --> 00:06:43,480 I love it some guy, Well worth chasing. 38 00:07:02,740 --> 00:07:05,040 Maybe for us, 39 00:07:20,000 --> 00:07:20,660 let's say about 40 00:07:25,760 --> 00:08:00,300 Today. Something worth chasing 41 00:08:19,080 --> 00:08:23,900 Kevin Bae: that is bad nicks and worth chasing. If you're not 42 00:08:23,900 --> 00:08:29,240 listening to this live, you can Mondays, 2pm Eastern, at SATs 43 00:08:29,240 --> 00:08:33,500 and sounds.com/live or stream dot sets and sounds calm. This 44 00:08:33,500 --> 00:08:36,620 is Summer of 92 and this song is a bullet. This 45 00:08:38,419 --> 00:08:42,579 Unknown: song is a bullet for a friend who was raped 46 00:08:47,860 --> 00:08:57,280 repeatedly by flour she was only 17 years old, this song is a 47 00:08:57,280 --> 00:08:59,860 Bullet for what direct brunette subject of counseling. Never you 48 00:09:00,360 --> 00:09:08,160 never get back to it. Song is a bullet. You 49 00:09:26,900 --> 00:09:31,220 This song is bad, red, blue and red. 50 00:09:39,380 --> 00:09:42,200 Dead when it was only 16 years old, left everyone that could 51 00:09:42,200 --> 00:09:47,320 never be that can never be answered by a 52 00:09:49,000 --> 00:09:53,200 closet light. 53 00:10:09,780 --> 00:10:15,900 This song is a bullet for a blasted over my head that I 54 00:10:15,900 --> 00:10:16,860 never really knew I 55 00:10:29,660 --> 00:10:35,000 for the memory of you, 56 00:10:40,000 --> 00:11:04,200 Kevin Bae: yeah, that song's a little intense. Not just a 57 00:11:04,200 --> 00:11:09,480 bullet, it's intense that was off rubber factory records. They 58 00:11:09,480 --> 00:11:13,140 always put their rubber factory records when they were putting 59 00:11:13,140 --> 00:11:16,260 out a new track of a band. They always put that in there. And it 60 00:11:16,440 --> 00:11:20,360 confuses me as to you hear that clickety clack that's my French 61 00:11:20,360 --> 00:11:23,600 Bulldog walking across the room to his bed. Hopefully he doesn't 62 00:11:23,600 --> 00:11:26,360 go berserk right now, as he tends to do from time to time. 63 00:11:27,200 --> 00:11:29,840 Anyway, they rubber factory records. They always put that 64 00:11:29,840 --> 00:11:34,640 out there, and they have their name next to the band name. And 65 00:11:34,640 --> 00:11:38,480 it always confuses me when they do that. But try to sort it out. 66 00:11:40,940 --> 00:11:44,140 This is a value for value music podcast, and that means you need 67 00:11:44,140 --> 00:11:47,320 a modern podcast app to participate. And by participate, 68 00:11:47,320 --> 00:11:50,620 I mean you get one of these modern podcast apps, and you can 69 00:11:50,680 --> 00:11:54,700 load up the wallet with some bitcoin, and then you stream 70 00:11:54,700 --> 00:11:58,240 payments as you listen. You set up how much you want to send, 71 00:11:58,480 --> 00:12:01,200 and you can stream payments as you listen, and the wallet 72 00:12:01,440 --> 00:12:07,740 changes for each song, so each artist has their own wallet. And 73 00:12:07,740 --> 00:12:12,060 as you stream payments, and you're listening to the song, 74 00:12:12,060 --> 00:12:14,700 the payments that you're streaming, 95% of mine this 75 00:12:14,700 --> 00:12:20,480 podcast goes straight to the artist, and you can do something 76 00:12:20,480 --> 00:12:24,020 called a boost, where you hit the boost button in the app and 77 00:12:24,020 --> 00:12:27,200 that will you can send out more sense, if you feel like that 78 00:12:27,980 --> 00:12:32,240 there's something that you that you like, or something cool that 79 00:12:32,240 --> 00:12:36,200 you heard, or you can send what's called a boost to Graham, 80 00:12:36,200 --> 00:12:43,360 which is A boost along with a message, and to get one of these 81 00:12:43,420 --> 00:12:47,620 modern podcast apps, you go to modern podcast apps.com. I have 82 00:12:47,620 --> 00:12:51,280 links on my website too. Satsan sounds.com I have links to cast 83 00:12:51,280 --> 00:12:57,340 O Matic fountain, podcast guru. Pod verse curio caster. Pod, 84 00:12:57,340 --> 00:13:02,580 friend and true fans, some boosts that came in last week. 85 00:13:02,880 --> 00:13:07,260 333 SATs from Chet, F by A pod verse during the song, ragged 86 00:13:07,260 --> 00:13:11,400 flats by Bucha flag press, quest, crest, quest, boot fly 87 00:13:11,400 --> 00:13:15,000 quest. He says heard ragged flats by boot fly quest for the 88 00:13:15,000 --> 00:13:19,020 first time in SATs and sounds cool track another 333, SATs 89 00:13:19,020 --> 00:13:23,000 from chat, F by A pod verse during non fiction by Ali. He 90 00:13:23,000 --> 00:13:28,220 says, all good hearing new Ali music, 1500 SATs from Andy via 91 00:13:28,220 --> 00:13:31,640 Casta Matic with no note, and then another 1500 SATs from Andy 92 00:13:31,640 --> 00:13:35,660 via Casta Matic, also with no note. And then he followed that 93 00:13:35,660 --> 00:13:42,700 up with another 500 SATs from Andy via Casta Matic, no note, 94 00:13:42,700 --> 00:13:46,240 but it was during the song upward social mobility by Arthur 95 00:13:46,300 --> 00:13:49,300 yoria, which I have another track coming from Arthur yoria 96 00:13:49,300 --> 00:13:56,860 today, but right now we're gonna transition to a song in honor of 97 00:13:56,860 --> 00:14:03,300 my granddaughter. This song is called crazy Lucy by Laura 98 00:14:03,300 --> 00:14:06,300 price, crazy 99 00:14:23,720 --> 00:14:26,960 Unknown: gonna tell you a story about a couple of girls 100 00:14:30,560 --> 00:14:31,880 living in my head, but 101 00:14:37,100 --> 00:14:40,400 one is named Mary, and she's okay. I 102 00:14:40,400 --> 00:14:44,140 The other 103 00:14:44,200 --> 00:14:51,040 one's Lucy, and my girl is crazy merry goes out. The Lucy comes 104 00:14:51,040 --> 00:14:52,480 in, another cat dragged 105 00:14:52,480 --> 00:14:54,580 him, I'm begging him, crazy. 106 00:15:00,000 --> 00:15:11,700 Lucy, since you marry bae, Lucy 107 00:15:11,700 --> 00:15:12,840 and Mary Well out one night 108 00:15:16,620 --> 00:15:19,380 Lucy's batter drinking and I got in a fine praises. 109 00:15:23,240 --> 00:15:26,180 Praise Ben knew one more drink was gonna drop her. 110 00:15:29,600 --> 00:15:38,420 She got up but lose it. Just stop her sweet little night. 111 00:15:38,420 --> 00:15:41,800 Glad to have fun, but Lucy, Don't stop till The whiskey. 112 00:15:41,860 --> 00:15:42,100 Since 113 00:16:02,860 --> 00:16:44,800 We two, eight and still sitting at the bar. 114 00:16:48,700 --> 00:16:55,840 Lizzie's got the keys to Mary's who come. The cops float all 115 00:16:55,900 --> 00:16:57,520 over and just started To Run little 116 00:17:02,620 --> 00:17:03,420 higher zone. I begging. 117 00:17:22,800 --> 00:17:34,160 You. Beth, oh sweet merry battle. 118 00:17:47,860 --> 00:17:53,980 Kevin Bae: Music. My Lucy isn't quite that crazy, although she 119 00:17:53,980 --> 00:17:58,300 did lose a tooth the other day. So she got 20 bucks, 20 bucks 120 00:17:58,300 --> 00:18:02,400 from her Lola and Grampy. This is more freshly rendered bits by 121 00:18:02,400 --> 00:18:06,960 Tanya winch. This is writing with a top down box 122 00:18:09,000 --> 00:18:14,220 Unknown: high up in your closet. Now you can't recall which box 123 00:18:14,220 --> 00:18:18,660 you put it in, pouting, shoulders hunched, I doubt it 124 00:18:18,660 --> 00:18:26,660 will get you anywhere unless you open up and start to dig. But 125 00:18:26,660 --> 00:18:37,160 you're like a man who keeps his co garage, Gennady scared to 126 00:18:37,280 --> 00:18:45,640 take a drive, even though that's when it feels alive, 127 00:18:51,880 --> 00:18:52,900 spinning ahead, catching the 128 00:18:54,580 --> 00:18:57,700 curve as the world flies By and three yards 129 00:19:01,900 --> 00:19:02,980 wide and with the top down, 130 00:19:19,080 --> 00:19:22,100 right now, in the Top down, throw on something that you know 131 00:19:22,460 --> 00:19:27,740 it's ugly and it shows the familiar realm of false, but you 132 00:19:27,740 --> 00:19:32,060 think it looks bad. I trust in that Cyril, scraps of something 133 00:19:32,480 --> 00:19:37,460 are warmer than you're loving sad. We can't be bare when we 134 00:19:37,460 --> 00:19:42,980 stand together, but you're like a man. 135 00:19:48,160 --> 00:19:56,440 Joy, scared to take a drive, even though that's when it feels 136 00:19:56,440 --> 00:20:00,660 alive. Spin ahead catching a COVID. Up as the 137 00:20:08,160 --> 00:20:12,060 world flies by, 138 00:20:20,000 --> 00:20:20,660 at the top down. 139 00:20:33,800 --> 00:20:40,400 Won't you touch your fingers to the stars? Find a way to climb 140 00:20:40,520 --> 00:20:41,320 up your backyard. 141 00:20:43,300 --> 00:20:49,000 You wanna know that is real? I know you got it in you. I've 142 00:20:49,000 --> 00:20:50,440 seen you in the Dark, dark. 143 00:21:02,860 --> 00:21:47,440 Kevin Bae: I COVID I'm it's like a summary type tune where you're 144 00:21:47,440 --> 00:21:50,020 riding with the top down while you're going on the highway. 145 00:21:50,260 --> 00:21:54,460 This next song is a little suspect to me. I'm not sure if 146 00:21:54,460 --> 00:21:58,480 it's AI or if it's a cover. I have no idea what this is, but 147 00:21:58,480 --> 00:22:03,720 the artist is Vinci, hit maker. The title is she wastes no time, 148 00:22:06,960 --> 00:22:07,620 baby. 149 00:22:16,980 --> 00:22:26,300 Unknown: Always blow my mind. Store, stone times girl, you 150 00:22:26,300 --> 00:22:30,680 call me, I pick up. I never leave your text. I never call my 151 00:22:30,860 --> 00:22:34,220 ex, I only show you love and everything that's next, even if 152 00:22:34,220 --> 00:22:38,420 we 40, even if we 60, you gonna be my shorty, even on the big 153 00:22:38,420 --> 00:22:42,280 screens. Ever be straight up to one of us is six feet. See these 154 00:22:42,280 --> 00:22:45,040 niggas hate when we run it in the distance. See these bitches 155 00:22:45,040 --> 00:22:47,980 hate cause we're flying to your wishes. Well, I gotta work out 156 00:22:47,980 --> 00:22:51,580 right now on division. Cause money make money, you need a lot 157 00:22:51,580 --> 00:22:56,260 of addition. But you know what got you first, and no other 158 00:22:56,260 --> 00:23:00,340 message. You take me place in some different dimensions, even 159 00:23:00,340 --> 00:23:06,240 if the world wouldn't, would end, I would take you and grab 160 00:23:06,240 --> 00:23:10,800 your way, insist, and then hold your clothes, and then hold your 161 00:23:10,800 --> 00:23:19,320 clothes. I'll never let go. I want you to know. I want you to 162 00:23:19,440 --> 00:23:19,980 know that 163 00:23:22,560 --> 00:23:28,820 I got your back to lean on the world. I got your back to lean 164 00:23:28,820 --> 00:23:29,540 on the world. I hope 165 00:23:34,100 --> 00:23:39,500 you forever, my girl. I hope you forever, my girl, I hope you 166 00:23:39,500 --> 00:23:40,180 forever, my girl, 167 00:23:51,580 --> 00:23:53,980 Kevin Bae: now, the reason this song is a little bit suspect me. 168 00:23:54,220 --> 00:23:58,300 Suspect to me, is because of the name Vinci hit maker, but I 169 00:23:58,300 --> 00:24:03,720 heard him mention Vinci in the song. So that doesn't sound like 170 00:24:03,720 --> 00:24:07,140 a cover of anything I've ever any other song I've ever heard, 171 00:24:07,140 --> 00:24:10,080 but there was just something about it. When I was looking at 172 00:24:10,080 --> 00:24:14,280 it, looking at the artist, and checking out where, where he 173 00:24:14,280 --> 00:24:19,500 came from, links that I don't know, just something a little 174 00:24:19,500 --> 00:24:22,700 little off about it. That made me suspect, but I liked it, so I 175 00:24:22,700 --> 00:24:26,600 played it anyway. We got a live boost from Randy black of 176 00:24:27,440 --> 00:24:30,500 Mountain Music Happy Hour. I think I got that right this time 177 00:24:31,940 --> 00:24:38,960 trying to always throw me off here, 1321 sets. So SATs and 178 00:24:38,960 --> 00:24:47,320 sounds. Leats, God, go, go podcasting. Well, it's not, it's 179 00:24:47,320 --> 00:24:52,840 not raw dogging it. So let me know if I read that right. 180 00:24:54,040 --> 00:24:57,580 Unknown: Elites, go go hashtag, 181 00:24:57,580 --> 00:25:01,620 Kevin Bae: go podcasting. Anyway. I. You need to go to 182 00:25:01,620 --> 00:25:06,360 podcast index.org Go help them out. Hit, hit their big red 183 00:25:06,360 --> 00:25:11,280 donate button. They make all of this possible. I know right now, 184 00:25:11,400 --> 00:25:14,880 things are a little bit in flux when it comes to streaming, 185 00:25:14,880 --> 00:25:18,660 payments and stuff, but hopefully as it shakes out, I'm 186 00:25:18,660 --> 00:25:23,120 able to ride the wave. You can also go to my website, Satan 187 00:25:23,120 --> 00:25:27,320 sounds.com I have a giant donate button on there. I also have a 188 00:25:27,320 --> 00:25:31,880 link to my Albie address, where you can send some bitcoin that 189 00:25:31,880 --> 00:25:38,120 way if you feel like it. As a reminder, I do try to stream 190 00:25:38,600 --> 00:25:42,640 this show every Monday, 2pm Eastern, usually between two and 191 00:25:42,640 --> 00:25:47,800 3pm Eastern, but I try to hit it right on the data 2pm you can 192 00:25:47,800 --> 00:25:51,460 catch that at SATs and sounds.com/live, if you want to 193 00:25:51,460 --> 00:25:56,440 listen and boost live, or you can go to stream dot sets And 194 00:25:56,440 --> 00:26:04,020 sounds.com, if you just want to listen live. Moving on. We've 195 00:26:04,020 --> 00:26:12,180 got freshly rendered fits by Corey Keith Owens. This song is 196 00:26:12,180 --> 00:26:13,260 called try. 197 00:26:22,440 --> 00:26:27,860 Unknown: You were there, but I was there too. 198 00:26:35,900 --> 00:26:47,380 You were around the corner, but I could see your shoes. I could 199 00:26:47,380 --> 00:26:55,420 see your point of view and die. Why? Oh, I Oh, I could not try 200 00:26:55,420 --> 00:27:06,600 it. Why? Oh, I could not try a little harder, work little 201 00:27:06,960 --> 00:27:07,800 smarter way? 202 00:27:12,960 --> 00:27:13,740 Guess I'll go ahead 203 00:27:15,060 --> 00:27:28,820 and try. Guess I try again. Guess I'll try again. 204 00:27:34,340 --> 00:27:48,820 Guess I'll go ahead and try again. I was there too. 205 00:27:54,520 --> 00:27:59,560 You could barely move. Knowledge, time is changing 206 00:28:01,300 --> 00:28:11,220 fast. And strange when I knew exactly what to do. Who am I 207 00:28:11,220 --> 00:28:18,420 kidding? Can't tell the head from the heart most in a time. 208 00:28:20,880 --> 00:28:21,860 Guess I'll go ahead and 209 00:28:23,600 --> 00:28:30,620 try. Guess I'll try again. 210 00:28:42,200 --> 00:28:42,980 Guess I try 211 00:28:58,420 --> 00:29:02,400 Kevin Bae: as promised, there's another track by Arthur Uriah. 212 00:29:04,620 --> 00:29:05,700 This is wealthy man. 213 00:29:12,600 --> 00:29:16,500 Unknown: He sailed all the way because he don't like planes. Up 214 00:29:16,500 --> 00:29:20,540 for 10 straight days, he couldn't keep a thing down, 215 00:29:20,540 --> 00:29:26,240 leaning, wrenching, kneeling, wretching. When he arrived, he 216 00:29:26,240 --> 00:29:33,740 bore a slight resemblance to him, Johnny thunders in the 70s. 217 00:29:35,120 --> 00:29:43,420 He said, Soon these birds and lads will sing along with me. 218 00:30:02,520 --> 00:30:09,480 The stage was dead, and the character without a converter, 219 00:30:10,500 --> 00:30:17,460 unlike acoustic rock and roll show for one drunk Irish man who 220 00:30:18,900 --> 00:30:31,640 said he grew up with men more after He suggested adding girls 221 00:30:31,640 --> 00:30:31,940 or whores, 222 00:30:37,280 --> 00:30:37,940 low and feel bad. 223 00:30:48,040 --> 00:30:48,580 Whoa, if he could 224 00:30:55,060 --> 00:31:02,260 understand why none of his conscious land, he'd be aware. 225 00:31:02,260 --> 00:31:16,200 Be one more show. It wasn't till Sadie Torrey told his friends 226 00:31:16,200 --> 00:31:20,160 back home that there were At least two more London and 227 00:31:20,460 --> 00:31:22,160 Bristol and lifestyle. 228 00:31:42,740 --> 00:32:02,920 Lord bae, no, no, no, 229 00:32:34,460 --> 00:32:36,980 Kevin Bae: now, if you ever wanted some philosophy on 230 00:32:37,700 --> 00:32:41,080 singing like a cricket, this is it. I don't even know what that 231 00:32:41,080 --> 00:32:44,740 means. This is Mike T and sing like a cricket 232 00:32:47,800 --> 00:32:49,180 Unknown: when the moon set sail, 233 00:32:51,940 --> 00:32:58,180 when the slugs and sails stroll along their glistening trails, 234 00:32:58,240 --> 00:32:58,360 You 235 00:33:06,000 --> 00:33:10,440 on doorsteps and 236 00:33:12,900 --> 00:33:22,340 dusty fireflies are seen to play. 237 00:33:28,940 --> 00:33:31,100 I'd sing like a cricket for 238 00:33:38,960 --> 00:33:41,980 you. I'd sing like a cricket for you. 239 00:33:57,820 --> 00:33:58,600 My walk is long, 240 00:34:03,360 --> 00:34:14,640 me every step I take a chance to steal a kiss on the castle on 241 00:34:14,640 --> 00:34:26,420 you. Is this the way I walk? You? Cute, every side walk road 242 00:34:27,080 --> 00:34:28,460 with flowers 243 00:34:29,000 --> 00:34:30,080 never planted yet. 244 00:34:33,139 --> 00:34:42,219 Let me grow. I'd sing like a cricket for you. 245 00:34:49,900 --> 00:34:53,260 I'd sing like a cricket for you. 246 00:35:02,520 --> 00:35:13,920 A tree falls in the forest. A star falls just outside in the 247 00:35:13,920 --> 00:35:21,740 water. It's still a thrill to see 248 00:35:27,440 --> 00:35:28,040 tonight. 249 00:35:35,360 --> 00:35:37,340 I sing like a cricket for you. 250 00:35:45,400 --> 00:35:48,460 I'd sing like a cricket for you. 251 00:36:10,740 --> 00:36:13,380 Kevin Bae: I'm not quite sure what he means. Bae, I'd sing 252 00:36:13,380 --> 00:36:17,340 like a cricket for you, but that song is sort of like a mood 253 00:36:17,340 --> 00:36:22,520 resetting song for me, puts me in a really nice, peaceful, 254 00:36:22,580 --> 00:36:27,740 peaceful move that is SATs and sounds for this week. Go to my 255 00:36:27,740 --> 00:36:32,120 website, SATs and sounds.com you'll find links to every 256 00:36:32,120 --> 00:36:36,440 single track I've played today. And don't forget, if you're 257 00:36:36,440 --> 00:36:42,820 listening to this as a podcast download, you can listen live at 258 00:36:42,820 --> 00:36:49,480 SATs and sounds.com/live, or stream. Dot SATs and sounds calm 259 00:36:49,600 --> 00:36:52,660 one the first way you can listen and boost live. The second way 260 00:36:52,660 --> 00:36:56,440 you can just listen, if you feel like it, also you can listen 261 00:36:56,440 --> 00:37:01,200 live in several of the modern podcast apps. And notice goes 262 00:37:01,200 --> 00:37:08,220 out about I do it about maybe 1015, minutes before the podcast 263 00:37:08,220 --> 00:37:13,320 goes live, and the app should let you know. So go check that 264 00:37:13,320 --> 00:37:23,900 out after the show, I got to go and trim my holly trees. So I 265 00:37:23,900 --> 00:37:28,700 got that. Got that going for me talk to next week later. You