1 00:00:00,000 --> 00:00:03,420 Prince: How can a non musician discuss the future of music from 2 00:00:03,420 --> 00:00:07,200 anything other than a consumer point of view? These people make 3 00:00:07,200 --> 00:00:10,920 decisions for the bulk of us without consulting any of us, 4 00:00:11,100 --> 00:00:15,420 sales and distributions of our futures. If this world were fair 5 00:00:15,420 --> 00:00:18,840 and right, they'd give up the car keys this very night. You 6 00:00:32,659 --> 00:00:37,076 Kevin Bae: Sats and sounds episode 69 November, 25 2024, 7 00:00:37,174 --> 00:00:43,261 coming off the big anniversary, wedding anniversary week going 8 00:00:43,359 --> 00:00:49,642 into Thanksgiving week, which is also the day of my birthday. So 9 00:00:49,741 --> 00:00:56,024 once again, all the more reason to give thanks. At least for me, 10 00:00:56,122 --> 00:01:01,914 it was a hot time in the value for value music world of the 11 00:01:02,012 --> 00:01:07,314 value for value podcasting world, I should say so many 12 00:01:07,412 --> 00:01:13,695 discussions going on, and I can barely keep up and understand it 13 00:01:13,793 --> 00:01:19,585 all. So we will look to some music for some healing, and We 14 00:01:19,684 --> 00:01:24,200 will start out with playing 37 and red shirts, 15 00:01:40,840 --> 00:01:41,380 Unknown: shows you. 16 00:02:02,800 --> 00:02:31,580 Guys, every single day, another red 17 00:02:38,180 --> 00:02:43,120 said to speak up. You don't want to do it. Just remember when I 18 00:02:43,120 --> 00:02:46,120 said it done, I warned you of your broken heart. There's no 19 00:02:46,120 --> 00:02:46,480 Surprise. 20 00:02:53,560 --> 00:04:15,060 Kevin Bae: I'm alone. Sir, that track was a freshly rendered bit 21 00:04:15,120 --> 00:04:18,900 just posted up the other day. Now we've got Scott O'Brien and 22 00:04:20,100 --> 00:04:21,260 big time. It's a waste of time for 23 00:04:29,480 --> 00:04:32,000 Unknown: me anymore, and you can read between the lines on my 24 00:04:32,720 --> 00:04:33,440 face. Always tell 25 00:04:37,400 --> 00:04:52,420 the score your true remains to be seen. You overblown and empty 26 00:04:52,420 --> 00:04:55,240 of tricky for the present enemy with tears of glory and tempo 27 00:04:55,240 --> 00:04:56,740 that should ignore imaginary esteem. 28 00:04:59,800 --> 00:05:01,560 You. Big time. You're fucking 29 00:05:04,320 --> 00:05:10,740 big time. Daytime, night time a legend to yourself, you're 30 00:05:10,740 --> 00:05:11,520 blowing my eyes. You 31 00:05:20,000 --> 00:05:25,760 it's a waste of time for me anymore, 32 00:05:27,020 --> 00:05:32,540 and you can read between the lines on my face. Always tell 33 00:05:32,540 --> 00:05:42,700 the score your trip remains to be seen. Big time you're fucking 34 00:05:42,700 --> 00:05:49,120 big time, daytime, night time, alleging to yourself you're 35 00:05:49,120 --> 00:05:49,840 blowing light. 36 00:06:00,000 --> 00:06:34,640 Big time. Good morning, big time. Time lecture Me. I 37 00:06:42,680 --> 00:06:52,900 doubt you lecture down 38 00:07:02,860 --> 00:07:11,040 Kevin Bae: now. If you're listening live, this is a 39 00:07:11,040 --> 00:07:15,660 miracle, because I screwed up the link for the forwarding 40 00:07:15,660 --> 00:07:21,920 link, so I gotta fix that during this song. These first three 41 00:07:21,920 --> 00:07:25,520 tracks are all freshly rendered fits posted within the last 42 00:07:25,520 --> 00:07:34,400 couple of days. This is sick waves, surf band. This track is 43 00:07:34,400 --> 00:07:35,120 called Coyote. I 44 00:08:07,140 --> 00:11:02,280 Oh, Hey So That's the end of the first block. Seemed it went kind 45 00:11:02,280 --> 00:11:07,200 of fast. This is a value for value music podcast, and that 46 00:11:07,200 --> 00:11:10,560 means you need a modern podcast, a modern podcast app, to 47 00:11:10,560 --> 00:11:15,900 participate. That brings me to the sponsor of this episode. 48 00:11:16,800 --> 00:11:20,040 This episode of SATs and sounds is sponsored by podcast guru. 49 00:11:20,160 --> 00:11:25,160 Podcast Guru is an easy to use V for V podcast app that has 50 00:11:25,160 --> 00:11:29,480 native versions for both Android and iOS. The app is from a small 51 00:11:29,540 --> 00:11:32,960 indie team dedicated to expanding podcasting 2.0 and v 52 00:11:32,960 --> 00:11:36,920 for V links are in the show notes and on my website. Satan 53 00:11:36,920 --> 00:11:40,300 sounds.com Please use those links if you're gonna, if you're 54 00:11:40,300 --> 00:11:42,760 gonna go check them out, because then they'll know you heard it 55 00:11:42,760 --> 00:11:46,960 here. And as I mentioned at the top of the show, there was a lot 56 00:11:46,960 --> 00:11:51,280 of chatter over the weekend after the podcasting 2.0 57 00:11:51,820 --> 00:11:59,860 boardroom, talking about the wallets in the apps and how 58 00:11:59,860 --> 00:12:03,780 things are gonna go and how things are gonna change. And 59 00:12:03,780 --> 00:12:07,500 it's very confusing. I know it's confusing for me, and I set all 60 00:12:07,500 --> 00:12:12,540 this stuff up somehow, so I can't imagine a regular listener 61 00:12:12,540 --> 00:12:17,700 trying to figure it out. But the wonderful thing is, is that if 62 00:12:17,700 --> 00:12:21,620 you are just a listener, you won't have to worry too much 63 00:12:21,620 --> 00:12:25,940 about it. You just get one of the modern podcast apps, and as 64 00:12:25,940 --> 00:12:31,520 things shake out, they will fix it all behind the scenes. You 65 00:12:31,520 --> 00:12:38,300 won't even know what they fixed, what they changed, but you need 66 00:12:38,300 --> 00:12:43,360 to participate, because the music played on this show is by 67 00:12:43,360 --> 00:12:46,600 independent artists, and they post their music up to be played 68 00:12:46,600 --> 00:12:52,420 specifically on shows like this or via their websites, various 69 00:12:52,420 --> 00:12:59,800 websites, and the way that they get paid is by the wallets 70 00:13:00,340 --> 00:13:02,700 embedded In the apps or the websites. So as you're 71 00:13:02,700 --> 00:13:06,660 listening, you can stream payments directly as the track 72 00:13:06,660 --> 00:13:10,440 is being played. 95% of all the SATs that that you're sending or 73 00:13:10,440 --> 00:13:14,820 streaming go straight to the artist. Same thing with boosts. 74 00:13:15,960 --> 00:13:18,180 With these modern podcast apps, you can send a boost, or 75 00:13:18,180 --> 00:13:20,720 something called a boost, to gram that's extra SATs, and you 76 00:13:20,720 --> 00:13:26,480 can send a message along with it. We can get to a few of these 77 00:13:26,480 --> 00:13:32,600 booster grams. Now let's see if we had three times 250 SATs from 78 00:13:32,600 --> 00:13:35,480 Chad F once during, pay attention by better than numbers 79 00:13:36,260 --> 00:13:41,680 using Ellen beats. Once during, dangerous place to be by drift 80 00:13:41,680 --> 00:13:50,080 current, oh, I can't remember the I'll get back to that later. 81 00:13:50,500 --> 00:13:55,960 Another 250, sets by Ellen beats with no notes. And then 333, 82 00:13:56,500 --> 00:13:58,960 sets also from Chatham via fountain. He said, There's 83 00:13:58,960 --> 00:14:02,400 nothing better than hearing a live pew during the show, and 84 00:14:02,400 --> 00:14:06,420 those are boosts that come over live while I'm doing it. So 85 00:14:06,420 --> 00:14:11,640 getting back on track, let's go to circle the Earth, which is a 86 00:14:11,640 --> 00:14:15,600 band that's been posting songs like once a week at least so 87 00:14:15,600 --> 00:14:19,380 far. This is too many pieces i 88 00:14:25,100 --> 00:14:29,780 Unknown: i Find Your taste so bitter, Can't keep my hands off 89 00:14:29,780 --> 00:14:39,500 the trigger. Sleep worked on a telephone line. Your story 90 00:14:39,500 --> 00:14:40,420 sounds so clever, 91 00:14:41,980 --> 00:14:44,500 my excuses change like the weather. No peace with the storm 92 00:14:45,400 --> 00:14:45,940 inside. Tear 93 00:14:45,940 --> 00:14:50,380 it down just to keep it alive, cut in the middle. The heart is 94 00:14:50,380 --> 00:14:51,820 kind of love when with the 95 00:14:54,580 --> 00:15:01,620 words to play, it's easy. We took the magic when we met, 96 00:15:01,620 --> 00:15:02,820 breaking into one too many 97 00:15:05,160 --> 00:15:07,680 pieces. We can't keep everything we promised, shooting. We can't 98 00:15:13,860 --> 00:15:14,400 give back you. 99 00:15:20,000 --> 00:15:20,360 We can't 100 00:15:30,380 --> 00:15:31,220 get back to 101 00:15:32,660 --> 00:15:34,280 beautiful. Can't get back to day life. We 102 00:15:34,280 --> 00:15:34,880 can't keep this 103 00:15:40,520 --> 00:15:43,960 from two steps back, love under pressure will always crack. We 104 00:15:43,960 --> 00:15:48,760 hang hot on the wall. Can't say goodbye when it's nobody's 105 00:15:48,760 --> 00:15:51,880 fault. Cut in the middle the hardest kind of love, but 106 00:15:55,180 --> 00:15:57,640 with the words to 107 00:15:59,860 --> 00:16:03,300 play, it's easy to forget the magic where we met, breaking 108 00:16:05,760 --> 00:16:08,100 into one too many pieces. We can't keep that from falling 109 00:16:08,100 --> 00:16:10,500 apart, dripping over everything. We promise we 110 00:16:12,960 --> 00:16:14,820 can't get back 111 00:16:22,680 --> 00:16:26,120 to you. To beautiful. Can't get back 112 00:16:26,120 --> 00:16:28,700 to daylight, bringing in the One too 113 00:16:30,680 --> 00:16:31,880 many. We can't keep this from 114 00:17:12,180 --> 00:17:18,420 breaking into one too many pieces. We can't keep that 115 00:17:20,700 --> 00:17:25,700 football. Keep falling apart, tripping over 116 00:17:31,700 --> 00:17:39,560 everything we promise to enable. We can't get back to daylight, 117 00:17:39,560 --> 00:17:42,160 breaking into one too many 118 00:17:48,640 --> 00:17:50,440 Kevin Bae: people, I'm really digging that band. I like their 119 00:17:50,440 --> 00:17:54,340 sound. I hope they keep releasing tracks every week. 120 00:17:54,460 --> 00:17:57,220 Speaking of a band that's releasing tracks every week so 121 00:17:57,220 --> 00:18:01,440 far, it's also another One, big, awesome and rookie Play, lock 122 00:18:01,800 --> 00:18:02,160 play. Lock 123 00:18:22,860 --> 00:18:47,020 Unknown: You. A All Time. 124 00:21:50,980 --> 00:21:54,040 Kevin Bae: You know, I just found out that I was not 125 00:21:54,040 --> 00:21:56,440 streaming live, and I was wondering why nobody was there. 126 00:21:56,440 --> 00:22:01,800 Because usually I have at least 10 lately. It's been 20 before I 127 00:22:01,800 --> 00:22:06,120 went on my vacation, but I fixed that. Now I don't know what 128 00:22:06,120 --> 00:22:09,060 happened. Everything seemed to melt down just before I went 129 00:22:09,060 --> 00:22:13,380 live, or I thought I went live anyway. Continuing on, at least 130 00:22:13,380 --> 00:22:16,320 you'll hear the podcast version of it. This is school Damage and 131 00:22:16,320 --> 00:22:17,520 Critical excess. 132 00:22:20,540 --> 00:22:22,580 Unknown: Clinically depressed my mother, she can barely get 133 00:22:23,120 --> 00:22:27,500 dressed. Me. 134 00:22:49,480 --> 00:22:50,620 Yeah, I lie awake at Night. 135 00:23:00,000 --> 00:23:01,560 Dreading the next Day you 136 00:23:40,000 --> 00:24:26,060 last, six, seven, I guess, avoiding drug news, today is 137 00:24:26,060 --> 00:24:31,400 Kevin Bae: just a cluster F so I fixed everything. I'm streaming 138 00:24:31,400 --> 00:24:35,840 again. So there were, I don't know when it went offline, 139 00:24:36,620 --> 00:24:39,260 because there were some people there at the beginning, and then 140 00:24:39,260 --> 00:24:41,980 I noticed nobody's there, and it's wondering what's going on. 141 00:24:41,980 --> 00:24:47,740 I look at my my playout software, and it says that I'm 142 00:24:47,740 --> 00:24:52,240 off air, even though I'm supposed to be streaming. It's 143 00:24:52,240 --> 00:24:54,940 one of those days. This is what happens when it's your birthday 144 00:24:54,940 --> 00:24:59,080 week. Does anybody really well, I guess some people do birthday 145 00:24:59,080 --> 00:25:03,300 weeks. I barely even. Do a birthday day. But this week, 146 00:25:03,300 --> 00:25:10,020 it's Thanksgiving Day, so I will be cooking myself up a meal, me 147 00:25:10,020 --> 00:25:10,740 and my wife. 148 00:25:16,860 --> 00:25:21,260 And let's see. Okay, where was I got so messed up by trying to 149 00:25:21,260 --> 00:25:23,840 get all this stuff together. It's too many moving parts. It'd 150 00:25:24,020 --> 00:25:26,420 be great if I could just hit a button and it would all work 151 00:25:27,500 --> 00:25:33,500 back to the to the boosts I got. The 300 SATs from dirt, dirt 152 00:25:33,500 --> 00:25:37,160 house via pod verse during silver lining by Anders Franson, 153 00:25:37,160 --> 00:25:41,380 2100 sat from cannabis records via podcast. Guru, they say 154 00:25:41,380 --> 00:25:44,740 happy anniversary, Thanksgiving and birthday, thank you. 155 00:25:45,940 --> 00:25:50,140 Cannabis records, of the retrograde fame, which was they 156 00:25:50,140 --> 00:25:55,720 came out with their album this summer, which was my, basically 157 00:25:55,720 --> 00:26:02,940 my whole album for the summer. Got another 2067 SATs from Andy 158 00:26:02,940 --> 00:26:08,100 via castamatic with no note, and 3333 SATs from Eric PP via Ellen 159 00:26:08,100 --> 00:26:11,880 beats and no note. Thank you very much. I appreciate it. 160 00:26:18,300 --> 00:26:24,920 So moving on with some more freshly rendered bits. We've got 161 00:26:27,020 --> 00:26:34,280 caramel jam. We're gonna slow it down, take it a little easy. Now 162 00:26:37,160 --> 00:26:40,520 it's their track, Julia in Wonderland. We're 163 00:26:40,520 --> 00:26:53,620 Unknown: she dreams of Wonderland 164 00:27:02,800 --> 00:27:22,280 is I Am One With lonely style 165 00:27:25,520 --> 00:27:35,540 she dreams up on the land her dream and Magic crown made out 166 00:27:35,540 --> 00:27:40,820 of favor her Heart is forever. 167 00:28:40,000 --> 00:28:45,820 Dream. All you can from a 168 00:28:52,900 --> 00:28:56,140 floating vessel to beautiful 169 00:29:13,920 --> 00:29:15,120 six to Saturday, she 170 00:29:18,360 --> 00:29:20,240 dreams up on the land and land. 171 00:29:23,120 --> 00:29:23,900 Her dreams are magic. 172 00:29:27,920 --> 00:29:33,140 Ground laid out of favor. 173 00:29:41,480 --> 00:29:44,020 There's so much room for dreaming in the Underwater 174 00:29:44,020 --> 00:29:44,320 Dreams. 175 00:30:00,000 --> 00:30:00,480 Fly so high 176 00:30:07,920 --> 00:30:11,820 in public clouds in cotton past she dreams up on 177 00:30:14,820 --> 00:30:15,720 the land her dreams are 178 00:30:19,620 --> 00:30:24,560 magical. Dream. We're 179 00:30:41,000 --> 00:30:46,360 Kevin Bae: going to keep it in that low, low key, easy sound. 180 00:30:46,360 --> 00:30:49,480 This is Chris J all day. Thank God I survived the 181 00:31:13,200 --> 00:31:16,500 Unknown: swerving lanes. It ain't no bang to us sipping 182 00:31:16,500 --> 00:31:20,400 drank on nowhere from the club, but we just Bob and we just 183 00:31:21,660 --> 00:31:26,300 music loud and trick and dry, made it through and I do well, 184 00:31:27,200 --> 00:31:31,040 too many brooms I almost screwed up, and when the police got 185 00:31:31,040 --> 00:31:40,220 behind me, I was thinking, Why me thinking? Why me drinking? I 186 00:31:40,220 --> 00:31:40,600 and 187 00:31:57,100 --> 00:32:01,780 cause it was pregame shots and after body shots, Damn, I forgot 188 00:32:01,900 --> 00:32:03,000 I gotta drive home. 189 00:32:08,160 --> 00:32:11,580 Because when we link with the Moses, one of them chose, but a 190 00:32:11,580 --> 00:32:14,160 friend's Gotta go, damn. Gotta drive home. 191 00:32:21,120 --> 00:32:25,220 Now, drive and 192 00:32:35,540 --> 00:32:40,180 drive god. 193 00:32:41,980 --> 00:32:42,880 Thank god. Bae, 194 00:33:00,000 --> 00:33:12,840 Bae, look into the time, sitting with the light trying to decide 195 00:33:12,840 --> 00:33:18,960 to bury to a yoke so I've got to drive all the way home. Missed 196 00:33:18,960 --> 00:33:24,140 every mission on my cell phone, one man I don't even know. Man I 197 00:33:24,140 --> 00:33:29,420 don't even know. I guess JESUS IS THE WILL at night. I probably 198 00:33:29,420 --> 00:33:31,940 should have chilled that night for real. That's right, 199 00:33:38,360 --> 00:33:41,920 some of my greatest nights. I can't recall shot after shot 200 00:33:41,980 --> 00:33:45,880 after shot. I drank more cups of that world on ice. I'm buzzing. 201 00:33:45,880 --> 00:33:49,240 I'm nice. I just sit up shorty. I like it's one of those nights 202 00:33:49,240 --> 00:33:55,360 I'm swerving, swerve. I can hear my words get slurred, but we 203 00:33:55,360 --> 00:33:59,380 just vibing, which is vibe music, loud and drinking, 204 00:33:59,380 --> 00:34:06,600 driving, swerving, swerve. Damn near went up on the curve when 205 00:34:06,600 --> 00:34:11,460 the police got behind me, I was thinking, Why me thinking? Why 206 00:34:11,460 --> 00:34:16,860 me thinking? 207 00:34:20,580 --> 00:34:25,340 Kevin Bae: This is the last track of the show. It's the boy 208 00:34:25,340 --> 00:34:28,880 J Red Velvet, whatever 209 00:34:28,880 --> 00:34:32,300 Unknown: happened to the trust, whatever happened to the love. 210 00:34:33,200 --> 00:34:36,320 The moment I got off that bus for myself, breaking down like 211 00:34:36,320 --> 00:34:41,560 what happened to us, whatever happened to the whatever 212 00:34:41,560 --> 00:34:45,160 happened to the left? The moment I got off that bus, I found 213 00:34:45,160 --> 00:34:48,760 myself breaking down like what happened to Yeah, brown skin. 214 00:34:48,880 --> 00:34:52,840 Skin tone, Shinobi, detachment, the silence, the distance 215 00:34:53,080 --> 00:34:57,100 missing nights, the kitchen was sizzling. Somehow my chocolates 216 00:34:57,100 --> 00:35:00,420 in Switzerland, rainy days, on summer nights, is poor. Already 217 00:35:00,600 --> 00:35:04,260 seen the signs of warnings and ignored them. The process was no 218 00:35:04,260 --> 00:35:08,040 stress. I'm healing. My heart sunk, was broken and rose again. 219 00:35:10,020 --> 00:35:15,840 Times keep changing. Times keep changing. Times keep 220 00:35:26,600 --> 00:35:32,000 times. Said you need a time and some distance, then I give you 221 00:35:32,000 --> 00:35:34,940 time and some distance. Well, I guess the distance the 222 00:35:34,940 --> 00:35:38,120 difference and nothing to take to pride myself off my success. 223 00:35:38,300 --> 00:35:41,440 She gonna be a graduate. I'm gonna be a bachelor. I'ma get a 224 00:35:41,440 --> 00:35:45,040 PhD right after my master's. The author of your story, start a 225 00:35:45,040 --> 00:35:48,340 new chapter. Feel like long hair while I'm writing next factor. 226 00:35:48,460 --> 00:35:51,580 Lost my anchor, then went through disaster. I had to let 227 00:35:51,580 --> 00:35:54,760 go and changed all my password to silence, forgiveness, the 228 00:35:54,760 --> 00:35:57,940 healing came after the tears that I shed, the moments of 229 00:35:57,940 --> 00:36:01,620 laughter, Yeah, funny how time's running faster, the sun stays 230 00:36:01,620 --> 00:36:04,800 shine and the city's much darker. Nobody cares. Yeah, 231 00:36:04,800 --> 00:36:08,100 nothing here matters. I needed that decision. I closed up that 232 00:36:08,100 --> 00:36:09,600 chapter that 233 00:36:09,600 --> 00:36:11,580 celebrity status is 234 00:36:16,980 --> 00:36:21,680 celebrity soft place, although we get sex praise, Mr. Drinking 235 00:36:21,680 --> 00:36:23,840 and all of this. It's a violation. Hey, I'm not afraid 236 00:36:23,840 --> 00:36:25,400 anymore. I said I'm not afraid anymore. 237 00:36:29,000 --> 00:36:30,500 Do you hear me? 238 00:36:33,320 --> 00:36:34,580 I'm not afraid anymore. 239 00:36:42,620 --> 00:36:49,000 Kevin Bae: I might be though of producing this show. Thank God I 240 00:36:49,060 --> 00:36:56,200 survived. Happy Thanksgiving to everybody out there. The next 241 00:36:56,200 --> 00:37:01,440 time I talk to you, I will be 58, at five, eight years old, 242 00:37:01,440 --> 00:37:08,460 not that it's gonna be any different than today. I don't I 243 00:37:08,460 --> 00:37:11,100 don't know when I stopped feeling like I was getting 244 00:37:11,100 --> 00:37:16,440 older. I don't know about looking though father times 245 00:37:16,440 --> 00:37:25,520 probably hit me like a ton of bricks. I it. I will get my act 246 00:37:25,520 --> 00:37:30,860 together. I will put all my pieces in place. Maybe I should 247 00:37:30,860 --> 00:37:35,420 make a checklist, that way I can get all the links properly done 248 00:37:35,420 --> 00:37:41,140 and have everything pulled together anyway. Come back next 249 00:37:41,140 --> 00:37:49,300 week for your half hour. Quick hit. Set List of freshly 250 00:37:49,300 --> 00:37:55,420 rendered bits, tracks just put together, just posted the 251 00:37:55,420 --> 00:37:59,860 previous week online. Go to satsan sounds.com. Hit up my big 252 00:37:59,860 --> 00:38:03,120 red donate link. Go to podcast index.org, hit up theirs. I've 253 00:38:03,540 --> 00:38:06,780 got links to every track you heard today, as well as every 254 00:38:06,780 --> 00:38:10,200 other show. You can go back and listen to them all, and I will 255 00:38:10,200 --> 00:38:12,060 talk to you next week later. You