1 00:00:00,000 --> 00:00:03,420 Prince: How can a non musician discuss the future of music from 2 00:00:03,420 --> 00:00:07,200 anything other than a consumer point of view? These people make 3 00:00:07,200 --> 00:00:10,920 decisions for the bulk of us without consulting any of us, 4 00:00:11,100 --> 00:00:15,420 sales and distributions of our futures. If this world were fair 5 00:00:15,420 --> 00:00:18,780 and right, they'd give up the car keys this very night, I 6 00:00:32,360 --> 00:00:40,060 Kevin Bae: It's SATs and sounds episode 64 may turn that down a 7 00:00:40,060 --> 00:00:51,280 little bit episode 64 for October, 2120 24 I had to think 8 00:00:51,280 --> 00:00:54,400 about that, because this is a recording. I'm recording this 9 00:00:54,400 --> 00:00:58,780 early because I am not in the United States. I'm still in the 10 00:00:58,780 --> 00:01:03,660 land of Adam curry, visiting with family, and I'm still going 11 00:01:03,660 --> 00:01:08,580 through the list of tracks that I've had sitting on my hard 12 00:01:08,580 --> 00:01:14,160 drive, looking and waiting for a place to be played. I haven't 13 00:01:14,160 --> 00:01:17,580 played these before, and I know some of these have been by other 14 00:01:18,360 --> 00:01:23,660 music shows, but that's okay, I haven't played him, so I'm gonna 15 00:01:23,660 --> 00:01:24,260 play him today. 16 00:01:31,580 --> 00:01:39,440 So we're starting out now with Kara Frasier and this wonderful, 17 00:01:39,860 --> 00:01:45,760 soulful tune called I want to be your woman. 18 00:02:01,780 --> 00:02:07,800 Unknown: To the days when we were here, when I was just a 19 00:02:07,800 --> 00:02:20,660 girl, and you were the boy next door. Then you left this time to 20 00:02:20,660 --> 00:02:26,120 make some better yourself now they brought you back around, 21 00:02:29,780 --> 00:02:32,420 but don't put me on The shelf this 22 00:02:42,800 --> 00:02:53,320 time. All can 23 00:03:02,860 --> 00:03:42,700 be I wanna be a Don't You see your heart will I can't change 24 00:03:42,700 --> 00:03:43,420 your mind. Change 25 00:03:43,420 --> 00:03:44,560 your mind. Just remember 26 00:03:46,480 --> 00:03:51,160 what's on the line when you put that candle in town. You Better 27 00:03:51,160 --> 00:03:53,500 keep me up. 28 00:04:09,360 --> 00:05:54,640 Kevin Bae: Man, be Oh. Oh, Kara Frazier, I want to be your 29 00:05:54,640 --> 00:05:59,860 woman. Next up is live faith and don't walk away. 30 00:06:01,600 --> 00:06:06,960 Unknown: I crawl out of bed, but I'm still in my head. I don't 31 00:06:07,140 --> 00:06:12,900 want to think right now, but I'll drive down your street, 32 00:06:13,020 --> 00:06:18,540 right where we used to meet, and your passenger seat is without 33 00:06:19,200 --> 00:06:19,740 me now you 34 00:06:25,100 --> 00:06:30,680 oh yeah, maybe you and me, 35 00:06:31,700 --> 00:06:37,280 we are like the movies. We can't kiss and make up like we used 36 00:06:37,280 --> 00:06:42,340 to. I can't call it at night because you don't want to fight 37 00:06:42,340 --> 00:06:45,400 between me and you miss it when I cry and you say goodbye and 38 00:06:51,520 --> 00:07:00,780 slam The door in my face. You break mine. You break my 39 00:07:11,760 --> 00:07:15,180 heart and you tear me apart, but I can't let myself walk away. I 40 00:07:15,180 --> 00:07:17,880 know we aren't good, and my friends say I should move on and 41 00:07:17,880 --> 00:07:23,900 try something new. Oh, when I hear your name, hear your name, 42 00:07:23,900 --> 00:07:28,220 oh, I can't concentrate. All I want is to be with 43 00:07:32,900 --> 00:07:37,400 you. When I cry and you say goodbye and slam the door in my 44 00:07:42,200 --> 00:07:43,240 face, you tear me apart, but 45 00:07:46,900 --> 00:07:50,560 I can't let myself walk away, 46 00:07:54,160 --> 00:07:57,700 baby, won't you Stay? Please don't walk away. I need you to 47 00:07:57,700 --> 00:08:07,020 stay. To stay baby, won't you stay? Please, don't walk away. I 48 00:08:07,020 --> 00:08:07,320 need you 49 00:08:09,600 --> 00:08:13,200 to stay baby. 50 00:08:14,040 --> 00:08:14,880 Won't you stay? Oh, I need 51 00:08:22,320 --> 00:08:23,780 you to stay baby. You 52 00:08:23,900 --> 00:08:24,320 stay baby? 53 00:08:42,140 --> 00:08:43,660 Won't you say? You say, 54 00:09:00,060 --> 00:09:11,700 Kevin Bae: I live faith. That's a nice song. You've got the 55 00:09:11,700 --> 00:09:15,600 trusted. I've played a bunch of trusted songs, songs from the 56 00:09:15,600 --> 00:09:20,600 trusted over the last year, and for some reason, this one just 57 00:09:20,600 --> 00:09:25,220 never made it into my playlist. So here we are, the trusted with 58 00:09:25,280 --> 00:09:26,000 Arkansas, 59 00:09:36,260 --> 00:09:41,800 Unknown: but you won't catch me. We're in the cross. I don't 60 00:09:41,800 --> 00:09:46,480 believe in miracles, but and so by 61 00:09:54,820 --> 00:10:01,560 god it's hard to see with your eyes seals shut. It's been so 62 00:10:01,620 --> 00:10:07,440 rough since the good guys let you down and you were 63 00:10:13,620 --> 00:10:22,820 beautiful before the stuck behind tender walls. We could 64 00:10:23,300 --> 00:10:32,000 crawl to console. I heard, it's really beautiful, beautiful. I 65 00:10:55,360 --> 00:11:00,600 folded your arms. Pretending. 66 00:11:14,580 --> 00:11:21,600 Folded your arms and reached inside out liberty is lonely. I 67 00:11:21,600 --> 00:11:26,660 heard you into heard you flames. You were 68 00:11:32,300 --> 00:11:36,140 beautiful. Before the 69 00:11:41,660 --> 00:11:50,620 walls we could crawl to Beautiful. 70 00:12:00,400 --> 00:12:02,020 Beautiful. We could crawl to 71 00:12:02,860 --> 00:12:08,400 Earth. Arkansas. I heard it's really beautiful, heard It's 72 00:12:08,400 --> 00:12:11,880 really beautiful. Heard it's really beautiful. 73 00:12:49,300 --> 00:12:51,760 Kevin Bae: You know, why did that song not get played? I 74 00:12:51,760 --> 00:12:56,560 can't tell you why. I have no idea. Should have been should 75 00:12:56,560 --> 00:13:00,420 have been played. This is a value for value music podcast, 76 00:13:01,500 --> 00:13:06,060 and in order to participate, you need a modern podcast app. And 77 00:13:06,780 --> 00:13:09,780 listening is not participating. Listening is just listening. You 78 00:13:09,780 --> 00:13:13,620 get a modern podcast app, and you can load up the wallet with 79 00:13:13,620 --> 00:13:18,360 some bitcoin, and then you not some bitcoin, you'll buy a 80 00:13:18,360 --> 00:13:21,920 fraction of a Bitcoin, because what Bitcoin, at least at the 81 00:13:21,920 --> 00:13:25,340 time of this recording, is like $60,000 something like that. So 82 00:13:25,340 --> 00:13:28,700 you buy a fraction of a Bitcoin using these podcast apps. That 83 00:13:28,700 --> 00:13:31,640 means you could put like $10 US dollars, or something like that 84 00:13:31,640 --> 00:13:35,660 in there, and then as you're streaming payments, or as you're 85 00:13:35,660 --> 00:13:38,420 listening rather, you're streaming payments to the 86 00:13:38,420 --> 00:13:41,860 artists as you listen to them. And on this podcast, 95% of 87 00:13:41,860 --> 00:13:45,820 everything you stream or boost goes direct to the artist while 88 00:13:45,820 --> 00:13:50,500 you're listening to them. So when I mention boost, you can 89 00:13:50,500 --> 00:13:54,400 send something that's called a boostogram, where you hit a 90 00:13:54,400 --> 00:13:59,440 button that says boost, and then you enter in extra SATs along 91 00:13:59,440 --> 00:14:03,540 with a message, I don't have any boosts or boostagrams to read 92 00:14:03,540 --> 00:14:06,300 today, because this is pre recorded, so I don't know what's 93 00:14:06,300 --> 00:14:11,580 come in. I can't tell the future. Hopefully, hopefully 94 00:14:11,580 --> 00:14:17,100 there are booths coming in while I'm gone up these modern podcast 95 00:14:17,100 --> 00:14:20,180 apps. You can go to modernpodcastapps.com to check 96 00:14:20,180 --> 00:14:23,780 them out, download them to get the app of your choice, or you 97 00:14:23,780 --> 00:14:27,860 can go to my website, satsan sounds.com where I have links to 98 00:14:27,860 --> 00:14:32,240 several of the modern podcast apps, like fountain, podcast 99 00:14:32,240 --> 00:14:36,140 guru, true fans, curiocaster, pod friend, pod verse and cast O 100 00:14:36,140 --> 00:14:41,020 Matic. My favorite right now is pod verse. It's been for a while 101 00:14:42,880 --> 00:14:48,400 podcast. Podcast Guru is pretty it's pretty good as well. And 102 00:14:48,400 --> 00:14:51,040 pod verse is going to come up with a new version. I understand 103 00:14:51,040 --> 00:14:54,820 that they are rewriting the code in order to be podcasting 2.0 104 00:14:55,300 --> 00:14:58,300 native, which means you're going to have fun with all the cool 105 00:14:58,300 --> 00:15:02,220 tags while you're listening. Listening, for instance, while 106 00:15:02,220 --> 00:15:05,940 you're listening on a modern podcast app and the song 107 00:15:05,940 --> 00:15:09,660 changes, the album art changes along with the song. And you can 108 00:15:09,660 --> 00:15:13,860 also look at transcript while the podcast is playing. So on a 109 00:15:13,860 --> 00:15:16,200 podcast like this, the transcript would just follow 110 00:15:16,200 --> 00:15:19,200 along with what I'm saying right now, sometimes it even catches 111 00:15:19,200 --> 00:15:21,980 the lyrics to the songs. But if you're listening to a different 112 00:15:21,980 --> 00:15:25,040 podcast which has no music and it's just the podcasters 113 00:15:25,040 --> 00:15:31,040 talking, it'll also have the transcript to those so you can 114 00:15:31,040 --> 00:15:33,320 follow along, or if there's something you don't understand. 115 00:15:33,740 --> 00:15:38,000 And I think a lot of people who don't speak English who listen 116 00:15:38,000 --> 00:15:42,040 to these podcasts follow along with the transcript while people 117 00:15:42,040 --> 00:15:45,580 are talking, and it helps them learn English. That's what I've 118 00:15:45,580 --> 00:15:54,160 heard, at least. So moving back onto the tracks, we got Kiki 119 00:15:54,460 --> 00:15:58,720 aikio and frozen Twin Rivers. You 120 00:16:04,800 --> 00:16:09,420 Unknown: they seem like a married couple, the same age and 121 00:16:09,420 --> 00:16:14,760 the same kind of clothes. They walk like where they doubles, 122 00:16:14,880 --> 00:16:19,620 the same rage and the self centered pulse, and as they go 123 00:16:21,180 --> 00:16:22,100 by me. It 124 00:16:23,180 --> 00:16:32,540 gives me the shivers. They seem as cold as frozen spirit rivers. 125 00:16:37,580 --> 00:16:41,800 They walk by some distance between them, the woman first 126 00:16:41,800 --> 00:16:47,320 stand behind another man who talked to me heard a milk run. 127 00:16:47,320 --> 00:16:56,200 They about doing the worst they can as they go by me, it gives 128 00:16:56,200 --> 00:17:04,200 me the shivers. They seem as cold as all frozen Twin Rivers. 129 00:17:10,319 --> 00:17:18,419 And is this you? And is this me? Some unknown are years for us to 130 00:17:18,419 --> 00:17:24,799 be too blind to see the weight of sung in tears, what went 131 00:17:24,799 --> 00:17:32,359 wrong, what could go wrong, what went wrong? Oh. 132 00:17:54,760 --> 00:18:01,560 Married, the same age and the same kind of clothes we pray 133 00:18:01,560 --> 00:18:05,640 like where we don't the same range in the way we make love 134 00:18:05,640 --> 00:18:07,140 and as we go, it gives me the shivers. 135 00:18:12,240 --> 00:18:14,700 We can be as cold as frozen Twin Rivers. We 136 00:18:20,000 --> 00:18:35,240 twin River, frozen twin River, 137 00:18:40,820 --> 00:18:45,280 Kevin Bae: Kiki aikio, frozen Twin Rivers, another track I've 138 00:18:45,280 --> 00:18:49,900 been holding on for a bit. This one from Lumba called 139 00:18:49,900 --> 00:18:50,620 homewrecker. He knew 140 00:18:56,680 --> 00:19:00,880 Unknown: he was a family man. He knew he had a ring on his head. 141 00:19:00,880 --> 00:19:05,640 He had a ring on his head, and 142 00:19:14,400 --> 00:19:15,240 you knew he was a 143 00:19:21,300 --> 00:19:25,640 lonely man. She had a child on the way, three tries when none 144 00:19:25,640 --> 00:19:32,540 survived. She cried almost every night you home. Record, I see 145 00:19:32,540 --> 00:19:33,320 you home. Record, I 146 00:19:41,840 --> 00:19:48,040 see air just the. 147 00:20:21,240 --> 00:20:27,860 Angry. I knew he was a brilliant man. He had his flaws in the 148 00:20:27,860 --> 00:20:35,780 bed. I was a forgiving woman. You knew I was a faithful wife. 149 00:20:36,320 --> 00:20:40,660 You turned him against his lover. You knew we were having 150 00:20:40,720 --> 00:20:45,400 problems your Home record. 151 00:20:57,040 --> 00:21:12,780 How? Angry. I'm 152 00:21:14,640 --> 00:21:20,120 not judging I'm 153 00:21:35,720 --> 00:21:39,140 just crying. I gave this man my life. 154 00:21:45,340 --> 00:21:49,000 This man. You knew I was a stubborn woman, but you knew I 155 00:21:49,000 --> 00:21:54,580 was still recovering. My obligations took no precedence. 156 00:21:57,400 --> 00:22:02,340 I know I couldn't reach you, but you left me in my morning gown. 157 00:22:02,340 --> 00:22:04,560 You left me for another woman. You're good. I see you. You read 158 00:22:04,560 --> 00:22:05,640 me. You 159 00:22:11,760 --> 00:22:12,540 left me. I'm not 160 00:22:22,680 --> 00:22:22,980 judging 161 00:23:00,000 --> 00:23:06,360 record, I See ya, I see ya. 162 00:23:25,640 --> 00:23:32,840 Hey, Baby, what's the name? What's your sign? Can I get your 163 00:23:32,840 --> 00:23:36,140 number? If you give me a time and see your face, it can't 164 00:23:36,140 --> 00:23:38,780 concentrate, because I'm thinking about all the crazy 165 00:23:38,780 --> 00:23:41,920 love I'm making. I got a premonition that baby will be 166 00:23:41,920 --> 00:23:46,240 kissing ya girl, make you see. And I got this intuition that 167 00:23:46,240 --> 00:23:48,880 there's something you've been missing, and I think it might be 168 00:23:48,880 --> 00:23:58,540 me. So, Bae, Bae, can I get you in my song? Yeah, we're playing 169 00:23:58,540 --> 00:24:11,040 No, not long enough, baby. I can I get you in this song from a 170 00:24:11,040 --> 00:24:16,500 glance in your direction? Saw you giving me the eye, so I'm 171 00:24:16,500 --> 00:24:21,020 gonna give it right back, baby. And I think you might know why i 172 00:24:21,020 --> 00:24:26,660 i can even be sentimental if you just give me a chance, because I 173 00:24:26,660 --> 00:24:31,280 can make Bambi blush with my deep fried homegrown romance. 174 00:24:31,280 --> 00:24:39,080 Oh, Bae, Bae, can I get you with my song? Cause, you know we're 175 00:24:39,080 --> 00:24:41,060 playing all night long. And I said, 176 00:24:42,860 --> 00:24:45,400 Bae, said, 177 00:24:45,400 --> 00:24:50,620 Bae, Bae, can I get you can I get you in my Can I get you in 178 00:24:50,620 --> 00:24:50,920 my song? 179 00:25:00,000 --> 00:25:21,500 He said, Bae, Bae, can I get you with my song? We're playing all 180 00:25:21,500 --> 00:25:27,680 night long. And I said, Baby, can I get you? Can I get you, 181 00:25:27,680 --> 00:25:27,920 baby, 182 00:25:29,000 --> 00:25:29,780 can I get 183 00:25:40,000 --> 00:25:53,440 say, cause you'll know 184 00:25:57,340 --> 00:26:04,320 Kevin Bae: Abel James, can I get you to me that song sounds like 185 00:26:04,320 --> 00:26:08,640 it should be at the beginning or the end of, like a rom com 186 00:26:08,640 --> 00:26:16,020 movie. It's just, you know, it's got that, that jumpiness and the 187 00:26:17,040 --> 00:26:19,980 kind of like hit, you know, hitting on you a guy hitting on 188 00:26:19,980 --> 00:26:22,700 a chick. Can I? Can you say chick? Now you could tell how 189 00:26:22,700 --> 00:26:27,140 old I am when I bring up, bring up, where chick and the fact 190 00:26:27,140 --> 00:26:29,780 that I have grandchildren that are in the Netherlands right now 191 00:26:30,200 --> 00:26:38,180 age, I recommend you just don't take part in it. Anyway, I'm 192 00:26:38,180 --> 00:26:44,620 back on track. This is a podcasting 2.0 compatible 193 00:26:44,620 --> 00:26:52,060 podcast, podcast, and with the modern podcast app, you get all 194 00:26:52,060 --> 00:26:56,800 those cool features that you cannot get with Apple, with 195 00:26:57,760 --> 00:27:03,900 YouTube, Music or Spotify, and more and more podcast apps are 196 00:27:03,900 --> 00:27:08,520 adopting the podcasting 2.0 tags. Heck, even Apple, even 197 00:27:08,520 --> 00:27:13,440 Apple adopted the transcript tags, but they don't, they don't 198 00:27:13,560 --> 00:27:19,080 do any of the rest, so they're not there yet. Go to podcast 199 00:27:19,080 --> 00:27:22,160 index.org and hit up their donate button to help them out, 200 00:27:22,160 --> 00:27:24,980 because they make all of this possible, keeping the index up 201 00:27:24,980 --> 00:27:30,440 there for independent podcasters to be able to disseminate their 202 00:27:30,440 --> 00:27:36,140 works to you. And they, you know, the technology that they 203 00:27:36,140 --> 00:27:39,080 come up with, such as the magic wallet switching technology that 204 00:27:39,260 --> 00:27:42,460 you're using when you're sending SATs using a modern podcast app. 205 00:27:43,780 --> 00:27:47,380 Also go to my website, satsan sounds.com you can hit my donate 206 00:27:47,380 --> 00:27:51,160 button that'll take you to PayPal. And I have links to 207 00:27:51,160 --> 00:27:53,740 every single track you've heard today, as well as every other 208 00:27:53,740 --> 00:27:57,700 track that you hear on any other show. All the show notes have 209 00:27:57,700 --> 00:28:04,860 the tracks. So now let's see. We're gonna go into Wawa yanda 210 00:28:04,860 --> 00:28:09,180 patent, that's quite the unique name and red letter. Days, 211 00:28:10,140 --> 00:28:11,520 Golden 212 00:28:11,520 --> 00:28:19,920 Unknown: Sun and September. Skies, speechless. Treetops, 213 00:28:21,180 --> 00:28:31,940 warm and wide beauty, profound sight and soft and shine touches 214 00:28:31,940 --> 00:28:43,240 me and passes me by, but I can't hold on to those red letter 215 00:28:43,960 --> 00:28:51,880 days, though, their colors in my heart and my memory Blaze, so I 216 00:28:52,420 --> 00:29:00,480 embrace this moment each day I can choose To hang my head or 217 00:29:00,480 --> 00:29:11,040 sing a song of praise, loud and bitter needles of fire, 218 00:29:13,380 --> 00:29:24,380 screaming, breaks, smoking tires, crushing pain and burning 219 00:29:24,500 --> 00:29:36,920 desire touches me and passes me by, but I can't hold on to Those 220 00:29:37,280 --> 00:29:46,420 four letter days of their colors in my heart and my memory Blaze. 221 00:29:46,420 --> 00:29:55,420 So I embrace this moment each day I can choose to hang my head 222 00:29:55,840 --> 00:29:57,280 or sing a song of praise. 223 00:30:27,080 --> 00:30:34,220 High but I can't hold on to those red letter days, though, 224 00:30:34,220 --> 00:30:42,880 their colors in My heart and my memory Blaze, so wide and raise 225 00:30:42,880 --> 00:30:50,560 this moment each day, I can choose to hang my head or sing a 226 00:30:50,560 --> 00:30:58,840 song of praise. To hang my head or sing a song of praise. 227 00:31:01,660 --> 00:31:03,900 Kevin Bae: Theraminist difficulty to play, isn't it? 228 00:31:05,040 --> 00:31:09,120 This is Annie Powell and beauty. 229 00:31:19,860 --> 00:31:24,620 Unknown: Don't know what it's you turned inside out, 230 00:31:24,620 --> 00:31:30,500 everything changes and help us on the way. Keep your heart wide 231 00:31:30,500 --> 00:31:36,500 open, trust in the threads. Only ways up from here, there Is 232 00:31:38,360 --> 00:31:41,060 beauty, not broken. 233 00:31:47,920 --> 00:31:48,280 Strong 234 00:32:02,200 --> 00:32:02,860 struggles. 235 00:32:34,880 --> 00:32:39,680 Empty out. Don't try to understand 236 00:32:41,480 --> 00:32:42,640 all you've got us to gain. 237 00:32:45,040 --> 00:32:50,440 Kick through the rubble. Oh, look to the sky. If you change 238 00:32:50,440 --> 00:32:57,460 our view, it changes your life. There is beauty heart of yours. 239 00:33:02,700 --> 00:33:06,180 Of yours. Can you see David was 240 00:33:12,600 --> 00:33:13,980 there crumble 241 00:33:18,060 --> 00:33:18,780 and fall, giving 242 00:33:22,680 --> 00:33:24,020 me weak. Beauty 243 00:33:24,620 --> 00:33:25,940 in the broken heart of your soul. 244 00:33:50,680 --> 00:33:58,060 Leave it be what's done is done. Find your vision, leave your 245 00:33:58,420 --> 00:34:04,080 prison of what ifs, regrets, all of the lessons you learn. 246 00:34:12,600 --> 00:34:13,440 Get out of bed. 247 00:34:20,000 --> 00:35:00,780 Rolling can Oh. Know the beauty, oh, 248 00:35:20,060 --> 00:35:42,940 Kevin Bae: oh, I think Now that I'm listening to these final 249 00:35:42,940 --> 00:35:48,940 three is that the songs are a bit introspective, and sometimes 250 00:35:48,940 --> 00:35:53,380 it just doesn't flow from one song to another. Or, you know, I 251 00:35:53,380 --> 00:35:56,380 need a few of them together so they can kind of be packaged. 252 00:35:57,700 --> 00:36:03,300 This one is from the natural Valley of the Sphinx, and it's 253 00:36:03,300 --> 00:36:04,020 called Moon song. 254 00:36:12,000 --> 00:36:21,500 Unknown: I can take my eye off the moon. I can't take my eyes 255 00:36:21,500 --> 00:36:22,100 off the moon. 256 00:36:27,140 --> 00:36:38,240 I'm making a drive down the 285 and I can take my eyes off the 257 00:36:38,240 --> 00:36:49,600 moon. There's money they're running in the road. There's 258 00:36:49,660 --> 00:37:00,660 money running in the road, and I hope they survive down the net, 259 00:37:01,440 --> 00:37:12,900 285, and I can take my high, soft number. There's a West 260 00:37:13,200 --> 00:37:26,780 Texas wind up ahead. There's a West Texas wind up ahead when 261 00:37:26,780 --> 00:37:34,520 there's a West Texas line, and I'll be crossing In time, and I 262 00:37:34,520 --> 00:37:38,120 can't take my eyes off them. 263 00:38:12,300 --> 00:38:21,560 The moon's dropping fast in the south. The moon's dropping back, 264 00:38:26,660 --> 00:38:29,420 she's a good old music, 265 00:38:41,000 --> 00:38:50,740 and the Dawn's chasing us from behind. The Dawn's chasing us 266 00:38:51,280 --> 00:39:01,800 from behind. And I will not cower in the darkest hour 267 00:39:02,220 --> 00:39:06,180 Because I can't take my eyes off the moon. You 268 00:39:38,960 --> 00:39:42,340 I can take my eyes off the moon. I can't take 269 00:39:45,820 --> 00:39:46,840 my eyes off the moon. I'm 270 00:39:47,320 --> 00:39:48,220 making the drive 271 00:39:53,320 --> 00:39:58,540 down the 285 272 00:40:00,360 --> 00:40:04,380 And I can take my eyes off the moon, I can't take my eyes off 273 00:40:04,440 --> 00:40:04,740 the moon. 274 00:40:04,740 --> 00:40:09,660 I can't take 275 00:40:40,100 --> 00:40:48,280 down the 285 and I can't take my eyes off the moon. 276 00:40:50,320 --> 00:40:52,840 Kevin Bae: That's a tough song to put with other songs. I think 277 00:40:53,860 --> 00:40:58,240 I like it all the same. That's it for SATs and sounds this 278 00:40:58,240 --> 00:41:03,960 week, I've got one more pre recorded episode coming for you 279 00:41:05,220 --> 00:41:11,760 next week, on october 28 and then I'll be back in the good 280 00:41:11,760 --> 00:41:21,500 old US of A live doing a show. November, something. What is it? 281 00:41:21,500 --> 00:41:29,960 November, November, November, November 4. November 4. I will 282 00:41:29,960 --> 00:41:39,080 be back with a live episode, but until then, go to go to sats.com 283 00:41:42,500 --> 00:41:46,840 check out my donate link, check out the shop link, check out the 284 00:41:46,840 --> 00:41:52,480 links to all the tracks and until next week's show later, 285 00:41:52,480 --> 00:41:52,600 you