1 00:00:00,000 --> 00:00:03,420 Prince: How can a non musician discuss the future of music from 2 00:00:03,420 --> 00:00:07,200 anything other than a consumer point of view? These people make 3 00:00:07,200 --> 00:00:10,920 decisions for the bulk of us without consulting any of us, 4 00:00:11,100 --> 00:00:15,420 sales and distributions of our futures. If this world were fair 5 00:00:15,420 --> 00:00:18,780 and right, they'd give up the car keys this very night, I 6 00:00:34,080 --> 00:00:38,700 Kevin Bae: It's episode 62 of Sats and Sounds for October 7, 7 00:00:38,730 --> 00:00:47,220 2024, you. What's going on in the world today? We got a sad 8 00:00:47,220 --> 00:00:50,760 anniversary of October 7. We got a category five hurricane 9 00:00:50,760 --> 00:00:55,920 heading for Florida, and people in North Carolina and South 10 00:00:55,920 --> 00:01:00,480 Georgia are still without power from the last one. So forget 11 00:01:00,480 --> 00:01:10,800 about all of that man, and just kick back, relax, and let's get 12 00:01:10,800 --> 00:01:14,850 into vestigial hearts and engine stalling, engine stalling, 13 00:01:14,880 --> 00:01:25,940 Unknown: but it's alright. Find another way to say running 14 00:01:32,060 --> 00:01:32,660 fast into my 15 00:01:42,680 --> 00:01:47,980 crown. Grave. Take a moment now, take back everything I gave you. 16 00:01:47,980 --> 00:01:52,120 Say you need a reason before 17 00:01:58,720 --> 00:02:07,920 Windows it all start believing the writings on the wall. I've 18 00:02:07,920 --> 00:02:14,220 seen the changes of the season, but I just can't I 19 00:02:20,000 --> 00:02:35,420 it. I need some time to catch my breath. We're together in the 20 00:02:35,600 --> 00:02:45,880 moonlight, killing time and cheating death. Listen to the 21 00:02:45,880 --> 00:02:46,900 world around 22 00:03:00,820 --> 00:03:02,700 Prince: you in the darkness of the night, you say you need a 23 00:03:02,700 --> 00:03:03,600 reason before we make 24 00:03:07,920 --> 00:03:14,160 Unknown: the call. You know you better start believing the sky 25 00:03:14,160 --> 00:03:20,720 ain't gonna fall. I've seen the changes of the seasons, 26 00:03:59,620 --> 00:04:11,220 We're together with the moonlight. We're together 27 00:04:16,260 --> 00:04:21,440 with The moonlight. Me, 28 00:04:56,740 --> 00:05:00,360 Kevin Bae: the studio hearts engine starring. That's a 29 00:05:00,360 --> 00:05:06,840 freshly rendered bit just put up yesterday to wavelength nice 30 00:05:06,840 --> 00:05:15,180 tune. And how do you follow that up? Engine stalling well, to 31 00:05:15,180 --> 00:05:21,560 tune another one, freshly hosted this past week by Anders 32 00:05:21,560 --> 00:05:25,280 Francine. This one's called Chevrolet, bye. 33 00:05:45,700 --> 00:05:52,480 Unknown: I'm gonna buy you watch a chain just to suffer you 34 00:05:53,860 --> 00:05:54,820 Prince: just do something 35 00:05:59,320 --> 00:06:07,860 Unknown: by you cheerful. I'm gonna buy you a Chevrolet, just 36 00:06:07,920 --> 00:06:11,340 to suck for you. Do good stuff for you. 37 00:06:30,080 --> 00:06:34,640 I'm gonna build you a house at home, 38 00:06:34,700 --> 00:06:35,960 just to Solve for you. Yeah, 39 00:06:37,520 --> 00:06:38,900 just To solve for you. Yay. 40 00:07:26,780 --> 00:07:32,360 Hey, I'm gonna buy you a diamond ring just 41 00:07:32,360 --> 00:07:35,960 to sum for you. Yeah, just do some for you. Gonna 42 00:07:40,400 --> 00:07:54,400 put you in a house. Build you a house of home just To suffer 43 00:07:54,400 --> 00:07:54,700 Crazy. 44 00:08:49,180 --> 00:09:00,660 Give Me For you, 45 00:09:57,100 --> 00:10:01,680 Kevin Bae: Anders Franson, Chevrolet. One of the many tunes 46 00:10:02,160 --> 00:10:07,800 put out this past week by phantom power music. And now 47 00:10:08,280 --> 00:10:13,140 here is Jay Eddie's country Express, and girl raised in 48 00:10:13,140 --> 00:10:13,740 Texas, 49 00:10:23,420 --> 00:10:24,320 Unknown: everybody kept 50 00:10:30,020 --> 00:10:37,760 putting me down, but no one would ever believe that I'm a 51 00:10:37,760 --> 00:10:41,200 girl raised in Texas and Texas raised the hell out of me. 52 00:10:47,500 --> 00:10:55,840 Well, all the guys now are waiting, and they don't mind now 53 00:10:57,880 --> 00:11:02,740 they're waiting their Time. People fall 54 00:11:12,000 --> 00:11:15,180 and the fire that burned. Look out. 55 00:11:33,680 --> 00:11:52,840 Come on the devil named me. Got that bull by the horn. Now, this 56 00:11:52,840 --> 00:11:57,880 girl raised in Texas, Texas raised the hell out of Me. Come 57 00:11:57,880 --> 00:11:58,720 on, get down. Now. 58 00:12:20,940 --> 00:12:28,760 Come on the cloudy. Blow the roof up the heat. Come on, it 59 00:12:28,760 --> 00:12:39,260 floaty. Love the devil and be your baby. Got their full by the 60 00:12:39,380 --> 00:12:47,380 home. Now the school raised in Texas raised the hell out of me. 61 00:12:58,060 --> 00:13:01,320 Kevin Bae: That was JDS country Express girl raised in Texas. 62 00:13:02,820 --> 00:13:05,700 Shout out to everybody listening on the stream. I can see you 63 00:13:05,700 --> 00:13:10,080 there. And one day, I'll up my game a little bit and have some 64 00:13:10,080 --> 00:13:15,000 kind of a chat room somewhere. One of these days, we'll see 65 00:13:15,000 --> 00:13:19,620 this is a value for value music podcast, and you need a modern 66 00:13:19,620 --> 00:13:24,860 podcast app to participate. Go to modernpodcastapps.com or head 67 00:13:24,860 --> 00:13:28,940 over to my website, satsansounds.com where I have 68 00:13:28,940 --> 00:13:33,200 links to castematic Fountain podcast, Guru, pod verse 69 00:13:33,860 --> 00:13:39,740 fountain, pod friends, true fans, curiocaster. And I'm now 70 00:13:39,740 --> 00:13:44,740 separated by platform, so you can tell which one goes is on 71 00:13:44,740 --> 00:13:48,100 iOS, which one's on Android. And there are three that are just on 72 00:13:48,100 --> 00:13:52,660 the web for now, because I know true fans, they're making native 73 00:13:52,660 --> 00:13:59,620 apps. So when you get one of these modern podcast apps, and 74 00:13:59,620 --> 00:14:02,940 when I say participate, that means you participate directly. 75 00:14:02,940 --> 00:14:07,140 You have a direct relationship with the artists of the songs 76 00:14:07,140 --> 00:14:11,400 that I'm playing. So when a song is playing, there's a wallet on 77 00:14:11,400 --> 00:14:15,000 these minor apps, and you fill it up, and as you're listening, 78 00:14:15,000 --> 00:14:18,120 you send SATs, or you can send what's called a boostogram, 79 00:14:18,960 --> 00:14:21,920 that's some extra SATs, either with a note or without a note. 80 00:14:21,920 --> 00:14:24,260 You can do it either way you feel like it, and you send what 81 00:14:24,260 --> 00:14:29,660 you feel it's worth. But these artists that put their music up 82 00:14:29,660 --> 00:14:37,640 on wave lake or music side project or RSS blue, this is how 83 00:14:37,640 --> 00:14:41,140 they're they're making money, so you pay them directly for what 84 00:14:41,140 --> 00:14:44,980 you're listening to. Some boosts I received this week. I got 100 85 00:14:45,280 --> 00:14:48,400 SATs from I'm Ronson via wavelength. He says, hey, hey, 86 00:14:48,400 --> 00:14:54,580 sweet sounds. Keep it rocking. 2222 SATs from salty crayon, by 87 00:14:54,580 --> 00:14:59,320 a podcast guru. He says, Caroline Kamino. Faves to play. 88 00:14:59,320 --> 00:15:05,580 Also. I heard no problem on SATs and sounds, and then I got 1000 89 00:15:06,000 --> 00:15:09,900 SATs from chat f by a podcast guru. It's a charity boost. It's 90 00:15:09,900 --> 00:15:13,560 a test boost, because I was having some difficulty reading 91 00:15:13,560 --> 00:15:18,240 some boosts or figuring out boosts over the last week. So 92 00:15:18,240 --> 00:15:21,740 if, if I missed one, I apologize. I think that there 93 00:15:21,740 --> 00:15:25,340 were some issues with my lightning node and something 94 00:15:25,340 --> 00:15:28,220 called helipad that tells me what the boosts are and where 95 00:15:28,220 --> 00:15:33,380 they come from, and all the all the details there, but I think 96 00:15:33,380 --> 00:15:36,560 it's all resolved now. I don't seem to be having any more 97 00:15:36,560 --> 00:15:44,980 problems. So let's move on with the show. Let's see we got Lumba 98 00:15:45,520 --> 00:15:49,060 just posted some songs this week, and I think the reposts of 99 00:15:49,420 --> 00:15:52,300 an album that she put out earlier, but that doesn't make 100 00:15:52,300 --> 00:16:00,060 the song any less good. This is Lumba, and this is life you I 101 00:16:09,960 --> 00:16:10,800 Unknown: like to think I was 102 00:16:12,960 --> 00:16:18,120 born sad doctor didn't spank me, or I was ready by and expel me 103 00:16:18,360 --> 00:16:25,040 into the world and dump me All men are trash, even before my 104 00:16:25,040 --> 00:16:31,580 first crash when I was born in 20 years, teachers didn't fail 105 00:16:31,580 --> 00:16:39,860 me the world inside me that we never take Flight, no down, keep 106 00:16:39,860 --> 00:16:41,620 on dreaming, never get to remain to leave 107 00:16:47,020 --> 00:16:53,860 it. This is dreams. Take you for but love, waste you don't You 108 00:16:53,860 --> 00:16:54,460 gotta fight. 109 00:17:02,380 --> 00:17:03,360 This is and tell me 110 00:17:20,000 --> 00:17:21,380 when I was late 111 00:17:24,740 --> 00:17:29,120 until London had to leave me your house already broken from 112 00:17:31,520 --> 00:17:33,740 my dream to dream stay. 113 00:17:40,000 --> 00:17:46,180 Is love, yeah, dreams take you from but love was used on You 114 00:17:46,180 --> 00:17:47,080 gotta fight at 115 00:17:52,660 --> 00:17:55,000 least. Yeah. 116 00:18:01,320 --> 00:18:03,900 Yeah, it's too late. 117 00:18:30,800 --> 00:18:35,900 Sometimes I'm happy, sometimes I'm sad. Not all men 118 00:18:36,680 --> 00:18:37,520 are trash. 119 00:18:39,200 --> 00:18:40,580 It's only failure when you really 120 00:18:49,360 --> 00:18:56,080 failure. Dreams take you far, but I've always used on you're 121 00:18:56,080 --> 00:19:07,020 gonna fight. At least try your don't let it hold you. Let it 122 00:19:07,020 --> 00:19:12,840 hold you back. Oh, this, this is life dreams. Take you for love 123 00:19:12,840 --> 00:19:16,080 for you gone. You gotta fight at least. Don't let it hold you 124 00:19:16,080 --> 00:19:21,240 back. This is love. 125 00:19:40,000 --> 00:19:57,520 Lay the sunlight. 126 00:20:27,860 --> 00:20:30,680 Kevin Bae: I don't know why I don't play Lumba more often. 127 00:20:33,920 --> 00:20:38,600 Here is Abby Muir and a song again, put out last week. And I 128 00:20:38,600 --> 00:20:43,120 think this was also off phantom Power of music's productions 129 00:20:43,300 --> 00:20:43,960 fighting uphill. 130 00:20:47,620 --> 00:20:49,060 Unknown: Good enough is 131 00:21:02,820 --> 00:21:07,020 me self destructive patterns. Keep on 132 00:21:08,640 --> 00:21:09,360 pushing me. 133 00:21:13,020 --> 00:21:19,860 You're just gonna text me those three words and I'll be on my 134 00:21:20,880 --> 00:21:23,180 way back. The scar is always in the back of 135 00:21:29,600 --> 00:21:33,800 my mind not to turn around the things that make you run and 136 00:21:36,740 --> 00:21:39,080 hide. I'm learning so slowly but easy, I wanna be a safety net, 137 00:21:39,080 --> 00:21:47,320 but I can if you keep on holding back, keeping all your feelings 138 00:21:47,380 --> 00:21:54,400 to yourself, because you're too proud. I can't keep on fighting. 139 00:22:01,120 --> 00:22:06,120 How the more else, the less you say. It's torture when you go 140 00:22:07,320 --> 00:22:13,020 quiet, tell me that you'd marry me, but I blink and you've 141 00:22:20,700 --> 00:22:26,180 already lost desperately trying to break your path. Pattern your 142 00:22:26,180 --> 00:22:31,520 heart is always in the back of 143 00:22:39,020 --> 00:22:39,440 my mind. 144 00:22:45,700 --> 00:22:51,160 Always in the back of my mind. I'm learning so slowly, if you 145 00:22:51,160 --> 00:22:54,940 don't make it easy, I wanna be your safety net, but I can if 146 00:22:54,940 --> 00:23:02,880 you keep on, holding back, shutting down, keeping all your 147 00:23:02,880 --> 00:23:07,500 friends say yourself, cause you're too proud if we're gonna 148 00:23:07,620 --> 00:23:10,500 make it now, I can't keep on fighting. 149 00:23:17,400 --> 00:23:23,780 Can you let go of the fear? Find joy if you let me hold your 150 00:23:23,780 --> 00:23:28,340 hand, we can do it. I can't prove it. If you open up the 151 00:23:28,400 --> 00:23:32,420 Learn, we can do it, all you gotta do is 152 00:23:38,780 --> 00:23:43,600 let go of your feelings, cause you can't be that damn proud if 153 00:23:43,600 --> 00:23:46,780 we're gonna make it now I can't keep on fighting let go of your 154 00:23:46,840 --> 00:23:47,740 feelings, cause you can't 155 00:23:58,780 --> 00:24:05,520 be loved and proud if we're gonna nothing. When I first 156 00:24:13,200 --> 00:24:21,140 saw your face, I never thought I'd be with you. Be with you. 157 00:24:22,520 --> 00:24:27,980 Last time I woke up with you, and 158 00:24:36,740 --> 00:24:43,720 I can seem to make you mine till I try, cause when I first saw 159 00:24:43,840 --> 00:24:52,780 your face, I never thought I'd be with you, being with you. 160 00:24:52,780 --> 00:25:00,300 Now, when I see your face, I can't help the mom. You would 161 00:25:00,300 --> 00:25:00,420 have 162 00:25:05,940 --> 00:25:09,000 thought in who would have knew you'd be leaving my side and 163 00:25:09,000 --> 00:25:12,480 loving somebody new? I can't believe you lie to my face. You 164 00:25:12,480 --> 00:25:15,420 said that you would never let another take my place. Now look 165 00:25:15,420 --> 00:25:18,540 at this. You got me begging and wishing to have you back. You 166 00:25:18,540 --> 00:25:20,660 really trying to kill me. I'm having a heart attack 167 00:25:20,660 --> 00:25:21,200 reminiscing. 168 00:25:35,660 --> 00:25:36,920 Your face is what I'm missing. 169 00:26:10,380 --> 00:26:15,720 When I saw your face, I never got to be with 170 00:26:21,120 --> 00:26:24,080 You. Being with you. See your face, I can't help 171 00:26:40,000 --> 00:26:48,400 Kevin Bae: it. That was Curtis drums and first saw featuring, 172 00:26:48,700 --> 00:26:57,820 I'm Kid, kid. Sometimes I wonder what I'm reading. Maybe half the 173 00:26:57,820 --> 00:27:02,700 time I'm wondering what I'm reading. Let's see, this is 174 00:27:03,000 --> 00:27:06,000 everything made possible. Everything here is made 175 00:27:06,000 --> 00:27:10,740 possible. You know, this is what happens when you start clicking 176 00:27:10,740 --> 00:27:13,920 around. I was gonna add something and then decided, 177 00:27:13,920 --> 00:27:16,440 well, it's a little bit too complex to try to add something 178 00:27:16,440 --> 00:27:20,300 right in the middle of the show. Another track, at least for me, 179 00:27:20,300 --> 00:27:25,940 it is so I kind of screwed myself here and messed up. All 180 00:27:25,940 --> 00:27:29,600 my Windows became discombobulated, and so now I'm 181 00:27:29,600 --> 00:27:33,980 rambling while I click through tabs to get back to where I was. 182 00:27:34,700 --> 00:27:40,540 Everything here is made possible by podcasting 2.0 and you can 183 00:27:40,540 --> 00:27:43,780 help out there too by going to podcast, index.org, and hitting 184 00:27:43,780 --> 00:27:47,920 up their donate button, send them a few dollars that'll help 185 00:27:47,920 --> 00:27:53,680 them keep everything running, because they are the creators of 186 00:27:53,680 --> 00:27:57,220 the technology we're using right now, the magic wallet switching 187 00:27:57,220 --> 00:28:00,780 technology that switches that changes wallets when the song 188 00:28:00,780 --> 00:28:07,620 changes, also, if you if you're using a modern podcast app, when 189 00:28:07,620 --> 00:28:12,360 I change the song, the the album art also changes, and that's due 190 00:28:12,360 --> 00:28:16,680 to chapters and the chapter images. And that also allows you 191 00:28:16,680 --> 00:28:21,200 to to move back and forth if you're listening to the recorded 192 00:28:21,260 --> 00:28:24,620 podcast, and it allows you to move back and forth and go back 193 00:28:24,620 --> 00:28:28,160 to listen to the song again, or move forward, or however you 194 00:28:28,160 --> 00:28:32,480 want to do it. You can also go to my website, satsansounds.com, 195 00:28:32,840 --> 00:28:37,340 I have a big fat red donate button. You can also maybe pick 196 00:28:37,340 --> 00:28:43,180 up a t shirt on the shop link. It's a snazzy, snazzy logo. 197 00:28:43,720 --> 00:28:55,720 You'll love it. Let's move forward. This is back to bands 198 00:28:55,720 --> 00:29:00,720 at Bitcoin in Nashville. This was live, performed live by 199 00:29:00,720 --> 00:29:04,200 zapita. This is her trek, pretend in 200 00:29:17,040 --> 00:29:22,040 Unknown: a crowded room, looking for something, looking for 201 00:29:22,040 --> 00:29:26,360 Someone who will see my view. 202 00:29:29,300 --> 00:29:30,620 Maybe they need me. 203 00:30:20,000 --> 00:30:21,080 And will You? 204 00:30:42,800 --> 00:31:03,360 Oh, oh, there's this girl says she's got two homes, maybe, 205 00:31:38,000 --> 00:31:39,020 Oh, maybe we can let you 206 00:31:40,580 --> 00:31:54,880 stand. That 207 00:31:54,880 --> 00:32:01,080 Kevin Bae: was quite the event, I think here is after sound and 208 00:32:01,080 --> 00:32:03,060 a poppy, little tune called by your side, 209 00:32:06,180 --> 00:32:09,540 Unknown: cruising through these nights, forgetting who I was, 210 00:32:10,860 --> 00:32:16,440 but I'm feeling good, just because you love to feel the 211 00:32:16,440 --> 00:32:21,680 air, the moonlights your Smile. Can we stay in this moment for a 212 00:32:21,680 --> 00:32:25,880 while. Underneath you stars, it's so clear, sweet. Nothing's 213 00:32:25,880 --> 00:32:28,160 in your head. Every touch, every look, I'm so near to where I 214 00:32:28,160 --> 00:32:30,800 wanna be, someone waste away all I feel. Melody is the only thing 215 00:32:30,800 --> 00:32:35,300 I hear. Every touch, every look I'm frozen in your 216 00:32:42,500 --> 00:32:48,700 atmosphere. You've made my heart beat again. It's nice like these 217 00:32:48,700 --> 00:32:55,060 that I never wanna end. Nothing is perfect. Maybe this ain't 218 00:32:55,060 --> 00:32:59,380 right. All I'm know is I wanna be by your side. I 219 00:33:19,920 --> 00:33:24,680 The city lights are glow. We're lost in the unknown, and I'm 220 00:33:24,680 --> 00:33:30,140 forgetting what it's like to feel like with your hand in 221 00:33:30,140 --> 00:33:35,300 mind, dancing through these streets. Time slows down, but my 222 00:33:35,300 --> 00:33:39,560 heart is skipping beats. Yeah, underneath you stars. It's so 223 00:33:39,560 --> 00:33:43,420 clear. We're spins, we nothing's in your head. Every touch, every 224 00:33:43,780 --> 00:33:48,580 look, I'm sewn here to where I want to see some days, the way 225 00:33:48,820 --> 00:33:52,900 all I feel led is the only thing I hear. Every touch, every love 226 00:33:53,020 --> 00:33:53,980 come frozen in your 227 00:33:57,460 --> 00:34:01,980 eyes, you've made my heart beat start again. It's nice like 228 00:34:01,980 --> 00:34:08,460 these that I never want to end. Nothing is perfect. Maybe this 229 00:34:08,460 --> 00:34:12,900 ain't right. All I know is I want to be by your side. 230 00:34:20,000 --> 00:34:38,840 Oh, you've made my heart beat start again. It's nice like 231 00:34:38,840 --> 00:34:45,700 these that I never want to end. Nothing is perfect. This feels 232 00:34:48,160 --> 00:34:50,200 so right. Knows I want to be by yourself. 233 00:35:11,100 --> 00:35:14,460 Kevin Bae: And now for something a little different, this is 234 00:35:14,460 --> 00:35:18,900 freshly rendered bits just posted yesterday, up to wave 235 00:35:18,900 --> 00:35:24,260 Lake. The artist is Fernanda Morgan. The song is called lento 236 00:35:24,320 --> 00:35:27,080 on the listing, though I said, heard the artist was lento and 237 00:35:27,080 --> 00:35:30,140 the title was lento, but I think it was just not posted 238 00:35:30,140 --> 00:35:38,780 correctly. But Fernanda Morgan and lento call 239 00:35:48,280 --> 00:36:11,340 Unknown: a moment them PESA, soy el go To pecun. Los de little 240 00:36:11,340 --> 00:36:14,580 sta enfergo A Lago bae. 241 00:37:07,020 --> 00:37:07,560 I love for 242 00:37:41,960 --> 00:37:47,620 Oh, see, Memphis. See Me. Oh. 243 00:39:21,440 --> 00:39:47,140 Kevin Bae: I I don't speak Spanish, but I love that song. I 244 00:39:47,140 --> 00:39:52,360 love her voice. That was a good song that one deserves some 245 00:39:52,360 --> 00:39:57,160 boosts. So go back to it and boost it. That SATs and sounds 246 00:39:57,160 --> 00:40:01,800 for this week. You. Thanks again to everybody listening on the 247 00:40:01,800 --> 00:40:04,380 stream. In the live stream, there's two ways to listen to 248 00:40:04,380 --> 00:40:07,320 the live stream. You got SATs and sounds.com/live, if you want 249 00:40:07,320 --> 00:40:11,280 to listen and boost, or you can just go to stream.sats.com that 250 00:40:11,280 --> 00:40:13,800 takes you to the website where I've got the live stream going. 251 00:40:14,400 --> 00:40:19,020 I try to live stream it every Monday, 2pm Eastern time. So 252 00:40:19,020 --> 00:40:21,560 program note, though, there will be no live stream for the next 253 00:40:21,560 --> 00:40:27,320 three weeks, three weeks of no live stream. I'll be traveling a 254 00:40:27,320 --> 00:40:36,680 bit, but there will be shows so you there, the podcast will 255 00:40:36,680 --> 00:40:43,120 still go on, and until next week later you.