Unknown: How can a non musician discuss the future of music from
anything other than a consumer point of view? These people make
decisions for the bulk of us without consulting any of us,
sales and distributions of our futures. If this world were fair
and right, they'd give up the car keys this very night. You
it sats and sounds the one year anniversary show, one year in
your ear.
We're gonna start out the show with the first three tracks that
I ever played on the first show. Because
I only played three, three tracks on that show, I
wouldn't go back and listen to any of those early ones. I
mean, definitely these are better than mellows. Not that
these are great, but it's better. I promise don't go
listen to them.
So the first track I played on that first show, it was August
20 20/21, something like that. I forget already, and I should
have written it
down, was a track by Longy called Don't get me started.
And it was Joe Martin music, way I need you and Ainsley Costello
cherry on top.
So here we go, Longy,
and don't get me started. Got Me Started for a full year, see
if we can go for one more
cold in the evening. Boss, the boy
hanging on,
baby, I told you, she makes me wonder, What's the point In
hanging you're gonna jump in on the back button.
Keep started. You're
gonna be jumping on the back foot.
Now, keep it started on the back foot. Now cold in the morning.
Cold
in the evening. I was the boy and hang in the
baby, I told You, she makes me wonder, what's the point? If you
he got chipping on the backside.
Now,
go. I
thought that longing track was a good track to start off with.
Still, still a good song in Joe Martin music.
Way I need you
another hour after midnight,
driving back home,
you were up with me till sunrise.
Then I lost.
You on the
phone, I called you back to leave a message.
Break it all down to the bone. The words
you
needed didn't find me. I
hung up running
out
around,
need
more than the way I need you now anything that's worth chasing,
don't
come easy.
Sometimes it feels I'm running circles
trying to catch this crazy dream
all those fairy tales and stories
lift
them far behind
that was like hell that I could change, you know,
for us and I just get by. I
can't give
you all those things.
Oh, they're
the way I get to
die.
Jesus,
me More than the
way
I and now the one that started it all for me, when I was just
experimenting with trying to make this work,
Ainsley Costello. And cherry on top, I'm
nigga, you I know that
you didn't know that I
knew, but you had to go and tell
everyone I might then said that you hadn't won, but I bet you're
wondering why you little knife doesn't hurt
my back like you thought it would. Well,
thankfully you did the hard part for me, and I just think
it's good. You put the Cheerios on, leave it
out. I the ground, cause I knew that if I did, your eyes would
take away to the corner of the room, because I know that you
aren't used to having it all given back to you, and though it
might be something to see if
it's rotten and crying, little boy. You
might deserve it, but it don't silver. Perfect.
Together.
Reaction,
well, that
I never
see the way you
didn't handle it with grace. Is at the end of the day, I'm not
the one to put the chariots up for the mess you made, but I'll
leave it out to all. The reaction that you want
to tell lets you
want that is the cherry on top.
And then that song, then hundreds of songs later.
This is show. Was this episode, 55
it's August, 19, 2024
so I don't know when I got into this groove of doing maybe like
eight,
eight to 10 tracks
per show, but it's hundreds of tracks now that were posted to
wave lake or now RSS blue or music side project,
and all of this made possible by podcasting 2.0
this is a value for value music podcast. You need a modern
podcast app to participate.
You can go to modernpodcastapps.com or head to
my website, satsandsounds.com
I have links to fountain podcast guru, true fans, curiocaster,
pod friend pod first and cast O Matic.
I would read some boosts today, but it seems like year two is
starting the way year one did
no boosts. But
when you get a modern podcast app, you can send what's called
a boost to grab, which is a bunch of SATs, micro payments,
Bitcoin micro payments, and you can include a message, and
that's your direct connection to the music artists or to me, the
podcaster. You can include a note. You don't have to include
a note.
But when you also set up your wallet in these modern podcast
apps, you can also set a
certain number of SATs per minute for streaming so you have
a direct connection with the artist
and their song that's playing
95%
of all the SATs that are streamed on this podcast, go
straight to the artist.
And this doesn't work in Apple podcasts, Spotify YouTube music
or anything like that. You need a modern podcast app to take
part.
And I hope that you do
the rest of these tracks for today's show. They're all
freshly rendered bits, all tracks posted within the last
week.
The first one we're starting out with is vestigial hearts.
Vestigial hearts. And where this river goes. Woke up in the
morning light today
and thought about the mountains in my way.
If I can't move them, there's a path to take.
I'll just have to pass them by
time to clean the dust out of my soul
the way the river runs beyond control,
I could never dream a brighter ray. So I'll keep drifting for a
while,
my darling,
come see the
view
just where this river goes
back.
That's where I'm going to
found a way to seize the day and cope,
but stranded on an island with no hope,
take another step and clear my mind over the life I've left
behind
my darling
jumpsi
View,
just where this river goes.
That's where I'm going to
the answers tend to hide when seeking truth,
they're not found in the pages of my youth,
from the valley to the ocean waves take me where I need To be
my view
just
where this river comes back.
But where I'm going to,
just where this river goes.
That's where I'm going to.
Last week, I played a song by coconut wolf that was
incorrectly labeled, I guess, when they uploaded it. So it was
not the right band, not the right track. I fixed it all in
the show notes and everything,
but I figured I'd replay the song. This is actually morning
sounds, and Let's be true when I
am
Let's be honest. Let's
meet you.
Here,
let's Be honest. Let's be
True.
Christmas lights now,
So glad I could correct that one plus i got that song got cut off
in the original mp three that I downloaded. Here's another
freshly rendered bit by Ben Jonesy Jones, and
this is called first time
she's been lazy in her
mind, living his life
day after day,
he keeps her hidden in shadows, telling her lies
get in his way.
She's under the water when no one can hear what she's trying
to say with
her eyes. Her eyes wide open, she was listening to the rain.
It was dark
that she saw the light for the first
time, she could feel and she knew there's
a
better world on the other side. The first time
it was
she's waiting for morning, the moment he leaves, then she's out
the door. The
world is an ocean. She won't be controlled anymore,
and the blinding flash of truth made her realize what she's
living for she could
feel.
And she knew
there's a better world on the other side. It was
real. No,
the first
time she can
heal, she's a shield, and for the first
time in A long time, she's strongest. Momma's gotta
get her pain
gotta
get her pain. He wrote a song about how the day they built
those bombs, and how them chemicals where they soaked. God
doesn't make my blood boil,
so I burn it all down.
You gotta get perfect. It burned down the cold field. Work
hard day yesterday,
me some corn, maybe a little bit of.
Soybean too, and
I let it grow so tall, hell yeah, maybe as tall as you, cut
it out down.
And
then I sell it out on the market.
And then I do it all over again. My
burning down the phone, get
burned down the cold feet. Burning down the
cold feet,
working hard day, every
day you down a coat.
Cold Chris wensky or wensk burning down the cornfield.
So the reason I play
mostly new songs is because this isn't really like a radio show
where,
you know, you have a daily show and you're playing the same
music, or, you know, you introduce new tracks, and you're
playing them all the time, because this is on the internet.
Anybody who wants to hear these tracks, you know, I provide
links to every single track I play, so anybody who wants to
hear these again, they don't have to necessarily listen to
this show again. You can just go
into my show notes and click on the links to take you to where
that is, to where those artists are. And you can just go listen
to their entire catalog. You
know, you can listen to the song I just played. You can, you
know, listen to everything else that's out there.
And that's primarily the reason why, most of the time, I don't
repeat tracks. It's usually new stuff that's been posted from
the previous week.
You know, I try to sift through the stuff that's uploaded and
play the tracks that I like,
you know, because if this was like on the radio,
you can't really, you know, go back and listen.
Um, you're just listening to whatever's, whatever's coming
out. But you know, being that this is a value for value music
podcast, it's kind of a different, at least in my mind,
way of doing this, I would never if I was listening to another
podcast
with music on it, I would only want to hear new tracks.
You
because once I've heard them, you know, I can go get them
myself and then put them in, put them in a playlist that I make,
make of my own.
So that's the long explanation for
why I play what I play.
I wanted to thank
those of you up on the live stream, you can listen live at
stream dot SATs and sounds calm, or you can listen live and boost
at the same time at satsounds.com/live,
that'll take you to the split kit, where, if you have a wallet
already set up with Albie, you can boost the songs and watch
the album art change
while I do this live.
So we got some more freshly rendered bits.
We've got
Matt johnner.
I'm assuming still of the johnner boys.
And this song is called D U I.
She's a redhead, red dirt road kind of girl with a twinkle in
her eye. She loves to watch a sunrise that sweet talk, sexy
walk, take me home to meet moncaul. And I didn't know what
I was missing. She says, load up that pickup truck, honey. Come
and pick me up. Now.
I lie. I'm gonna
get a deal. I I'm drunk on you, and I'm high on my life.
No one knows where this road even goes, running it fast, then
we'll take it real slow. What we got. I don't want this to ever
end yet.
Tonight, I'm driving under your influence. Oh.
It's been a long week. Can't breathe city got me feeling
beat. I need some of you and me,
you make my worries disappear trying to paint. It's more than
clear. Girl, I didn't know what I was missing.
Swallowed up my pickup truck, Honey, I'll
come pick you up.
Now. I'm gonna get a d u I'm drunk
on you, and I'm high on my life. No one knows where this road
even goes. Running it fast, then we'll
take it real slow what we got it.
I don't want this to ever end yet. Tonight, I'm driving under
your
influence.
I'm a home grown not too wild. Something of a middle child
never been on the wrong side of the law.
Good at handling my drink, but when I'm with you, I can't think
the prettiest thing I ever saw, but
when you call, I lose control. Climb into my four by four now
I'm gonna get a deal.
I'm drunk on you,
and I'm high on my life. No one knows where this road even goes.
Running it fast, then we'll take it real slow what we got. I
don't want this to ever end
here tonight.
I'm driving here tonight. Here tonight I'm driving because
tonight I'm driving under your influence.
This band is called out on the streets, and
the name of the track is song to change your life. Let me know if
it does,
let us live. Soldiers,
your patterns
would be proud.
Now you stand your expression. Make sure
you look like everybody
saw Jesus. For a song to lead
the
world. Just
think back your time. Broke your heart, it
just
explodes take over him, Not on your past,
but
on your
future. Your
future.
So Did it change your life?
TJ Wong is back with a blues track.
I'll always play some blues. This is still waiting.
I don't understand.
I
don't understand
why you run away
every chance you can.
Won't you tell me, babe,
what I do wrong? I
I couldn't buy you what you want,
and I'll sing your songs,
but you still Run away,
darling. You're still Gone. Went around all day.
But
You never fear
got I don't understand.
I don't understand
why you run away. Have a
chance you can
why you run away. Have a
chance
again, why you run away. You run away.
Fantastic tune
that is the end of the One Year in your ear,
anniversary. Extravaganza podcast
for SATs and sounds. You can go to satsansounds.com
I have links to every track you heard today,
and if you feel that you got something good out of this
podcast, you can hit my big red donate button. It'll take you
over to PayPal, or you
can send something to me via get Alby. I got a link there too.
And also go to podcastindex.org and hit up their donate button.
They make all of this possible.
So one year done.
Let's try to do another year
until next week
later.
I.