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Unknown: How can a non musician
discuss the future of music from

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anything other than a consumer
point of view? These people make

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decisions for the bulk of us
without consulting any of us,

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sales and distributions of our
futures. If this world were fair

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and right, they'd give up the
car keys this very night. You

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it sats and sounds the one year
anniversary show, one year in

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your ear.

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We're gonna start out the show
with the first three tracks that

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I ever played on the first show.
Because

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I only played three, three
tracks on that show, I

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wouldn't go back and listen to
any of those early ones. I

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mean, definitely these are
better than mellows. Not that

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these are great, but it's
better. I promise don't go

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listen to them.

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So the first track I played on
that first show, it was August

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20 20/21, something like that. I
forget already, and I should

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have written it

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down, was a track by Longy
called Don't get me started.

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And it was Joe Martin music, way
I need you and Ainsley Costello

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cherry on top.

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So here we go, Longy,

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and don't get me started. Got Me
Started for a full year, see

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if we can go for one more

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cold in the evening. Boss, the
boy

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hanging on,

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baby, I told you, she makes me
wonder, What's the point In

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hanging you're gonna jump in on
the back button.

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Keep started. You're

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gonna be jumping on the back
foot.

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Now, keep it started on the back
foot. Now cold in the morning.

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Cold

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in the evening. I was the boy
and hang in the

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baby, I told You, she makes me
wonder, what's the point? If you

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he got chipping on the backside.

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Now,

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go. I

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thought that longing track was a
good track to start off with.

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Still, still a good song in Joe
Martin music.

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Way I need you

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another hour after midnight,

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driving back home,

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you were up with me till
sunrise.

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Then I lost.

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You on the

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phone, I called you back to
leave a message.

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Break it all down to the bone.
The words

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you

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needed didn't find me. I

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hung up running

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out

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around,

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need

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more than the way I need you now
anything that's worth chasing,

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don't

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come easy.

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Sometimes it feels I'm running
circles

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trying to catch this crazy dream

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all those fairy tales and
stories

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lift

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them far behind

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that was like hell that I could
change, you know,

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for us and I just get by. I

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can't give

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you all those things.

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Oh, they're

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the way I get to

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die.

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Jesus,

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me More than the

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way

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I and now the one that started
it all for me, when I was just

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experimenting with trying to
make this work,

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Ainsley Costello. And cherry on
top, I'm

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nigga, you I know that

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you didn't know that I

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knew, but you had to go and tell

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everyone I might then said that
you hadn't won, but I bet you're

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wondering why you little knife
doesn't hurt

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my back like you thought it
would. Well,

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thankfully you did the hard part
for me, and I just think

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it's good. You put the Cheerios
on, leave it

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out. I the ground, cause I knew
that if I did, your eyes would

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take away to the corner of the
room, because I know that you

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aren't used to having it all
given back to you, and though it

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might be something to see if

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it's rotten and crying, little
boy. You

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might deserve it, but it don't
silver. Perfect.

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Together.

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Reaction,

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well, that

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I never

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see the way you

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didn't handle it with grace. Is
at the end of the day, I'm not

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the one to put the chariots up
for the mess you made, but I'll

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leave it out to all. The
reaction that you want

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to tell lets you

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want that is the cherry on top.

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And then that song, then
hundreds of songs later.

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This is show. Was this episode,
55

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it's August, 19, 2024

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so I don't know when I got into
this groove of doing maybe like

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eight,

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eight to 10 tracks

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per show, but it's hundreds of
tracks now that were posted to

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wave lake or now RSS blue or
music side project,

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and all of this made possible by
podcasting 2.0

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this is a value for value music
podcast. You need a modern

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00:12:07,440 --> 00:12:09,420
podcast app to participate.

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You can go to
modernpodcastapps.com or head to

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my website, satsandsounds.com

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I have links to fountain podcast
guru, true fans, curiocaster,

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pod friend pod first and cast O
Matic.

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I would read some boosts today,
but it seems like year two is

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starting the way year one did

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no boosts. But

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when you get a modern podcast
app, you can send what's called

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a boost to grab, which is a
bunch of SATs, micro payments,

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Bitcoin micro payments, and you
can include a message, and

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that's your direct connection to
the music artists or to me, the

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podcaster. You can include a
note. You don't have to include

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a note.

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But when you also set up your
wallet in these modern podcast

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apps, you can also set a

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certain number of SATs per
minute for streaming so you have

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a direct connection with the
artist

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and their song that's playing

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95%

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of all the SATs that are
streamed on this podcast, go

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straight to the artist.

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And this doesn't work in Apple
podcasts, Spotify YouTube music

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or anything like that. You need
a modern podcast app to take

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part.

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And I hope that you do

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the rest of these tracks for
today's show. They're all

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freshly rendered bits, all
tracks posted within the last

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week.

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The first one we're starting out
with is vestigial hearts.

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Vestigial hearts. And where this
river goes. Woke up in the

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morning light today

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and thought about the mountains
in my way.

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If I can't move them, there's a
path to take.

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I'll just have to pass them by

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time to clean the dust out of my
soul

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the way the river runs beyond
control,

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I could never dream a brighter
ray. So I'll keep drifting for a

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while,

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my darling,

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come see the

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view

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just where this river goes

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back.

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That's where I'm going to

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found a way to seize the day and
cope,

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but stranded on an island with
no hope,

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take another step and clear my
mind over the life I've left

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behind

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my darling

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jumpsi

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View,

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just where this river goes.

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That's where I'm going to

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the answers tend to hide when
seeking truth,

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they're not found in the pages
of my youth,

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from the valley to the ocean
waves take me where I need To be

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my view

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just

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where this river comes back.

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But where I'm going to,

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just where this river goes.

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That's where I'm going to.

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Last week, I played a song by
coconut wolf that was

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incorrectly labeled, I guess,
when they uploaded it. So it was

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not the right band, not the
right track. I fixed it all in

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the show notes and everything,

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but I figured I'd replay the
song. This is actually morning

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sounds, and Let's be true when I

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am

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Let's be honest. Let's

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meet you.

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Here,

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let's Be honest. Let's be

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True.

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Christmas lights now,

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So glad I could correct that one
plus i got that song got cut off

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in the original mp three that I
downloaded. Here's another

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freshly rendered bit by Ben
Jonesy Jones, and

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this is called first time

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she's been lazy in her

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mind, living his life

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day after day,

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he keeps her hidden in shadows,
telling her lies

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get in his way.

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She's under the water when no
one can hear what she's trying

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to say with

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her eyes. Her eyes wide open,
she was listening to the rain.

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It was dark

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that she saw the light for the
first

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time, she could feel and she
knew there's

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a

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better world on the other side.
The first time

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it was

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she's waiting for morning, the
moment he leaves, then she's out

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the door. The

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world is an ocean. She won't be
controlled anymore,

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and the blinding flash of truth
made her realize what she's

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living for she could

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feel.

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And she knew

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there's a better world on the
other side. It was

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real. No,

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the first

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time she can

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heal, she's a shield, and for
the first

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time in A long time, she's
strongest. Momma's gotta

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get her pain

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gotta

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get her pain. He wrote a song
about how the day they built

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those bombs, and how them
chemicals where they soaked. God

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doesn't make my blood boil,

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so I burn it all down.

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You gotta get perfect. It burned
down the cold field. Work

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hard day yesterday,

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me some corn, maybe a little bit
of.

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Soybean too, and

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I let it grow so tall, hell
yeah, maybe as tall as you, cut

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it out down.

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And

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then I sell it out on the
market.

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And then I do it all over again.
My

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00:25:20,000 --> 00:25:20,960
burning down the phone, get

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burned down the cold feet.
Burning down the

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cold feet,

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working hard day, every

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day you down a coat.

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Cold Chris wensky or wensk
burning down the cornfield.

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So the reason I play

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mostly new songs is because this
isn't really like a radio show

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where,

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you know, you have a daily show
and you're playing the same

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00:26:37,280 --> 00:26:40,900
music, or, you know, you
introduce new tracks, and you're

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00:26:40,900 --> 00:26:43,660
playing them all the time,
because this is on the internet.

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Anybody who wants to hear these
tracks, you know, I provide

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00:26:47,200 --> 00:26:50,500
links to every single track I
play, so anybody who wants to

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00:26:50,500 --> 00:26:53,200
hear these again, they don't
have to necessarily listen to

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00:26:53,200 --> 00:26:55,840
this show again. You can just go

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00:26:57,280 --> 00:27:00,960
into my show notes and click on
the links to take you to where

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00:27:00,960 --> 00:27:04,800
that is, to where those artists
are. And you can just go listen

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00:27:04,800 --> 00:27:06,060
to their entire catalog. You

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know, you can listen to the song
I just played. You can, you

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00:27:09,300 --> 00:27:12,060
know, listen to everything else
that's out there.

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And that's primarily the reason
why, most of the time, I don't

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00:27:17,760 --> 00:27:21,320
repeat tracks. It's usually new
stuff that's been posted from

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00:27:21,320 --> 00:27:22,220
the previous week.

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00:27:23,660 --> 00:27:27,860
You know, I try to sift through
the stuff that's uploaded and

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00:27:28,160 --> 00:27:29,600
play the tracks that I like,

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00:27:34,280 --> 00:27:36,200
you know, because if this was
like on the radio,

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00:27:38,300 --> 00:27:41,560
you can't really, you know, go
back and listen.

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00:27:42,940 --> 00:27:45,100
Um, you're just listening to
whatever's, whatever's coming

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00:27:45,100 --> 00:27:48,340
out. But you know, being that
this is a value for value music

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podcast, it's kind of a
different, at least in my mind,

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00:27:52,660 --> 00:27:55,300
way of doing this, I would never
if I was listening to another

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00:27:55,300 --> 00:27:56,020
podcast

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00:27:57,280 --> 00:27:59,800
with music on it, I would only
want to hear new tracks.

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00:28:02,860 --> 00:28:02,980
You

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00:28:04,740 --> 00:28:08,280
because once I've heard them,
you know, I can go get them

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00:28:08,340 --> 00:28:10,920
myself and then put them in, put
them in a playlist that I make,

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make of my own.

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So that's the long explanation
for

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why I play what I play.

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00:28:22,140 --> 00:28:23,360
I wanted to thank

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00:28:25,160 --> 00:28:27,920
those of you up on the live
stream, you can listen live at

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00:28:28,880 --> 00:28:32,240
stream dot SATs and sounds calm,
or you can listen live and boost

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00:28:32,240 --> 00:28:35,060
at the same time at
satsounds.com/live,

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00:28:36,140 --> 00:28:38,720
that'll take you to the split
kit, where, if you have a wallet

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00:28:38,960 --> 00:28:43,480
already set up with Albie, you
can boost the songs and watch

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00:28:43,480 --> 00:28:44,740
the album art change

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00:28:46,240 --> 00:28:47,440
while I do this live.

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00:28:50,200 --> 00:28:53,440
So we got some more freshly
rendered bits.

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We've got

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Matt johnner.

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I'm assuming still of the
johnner boys.

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00:29:03,780 --> 00:29:06,660
And this song is called D U I.

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00:29:07,740 --> 00:29:12,840
She's a redhead, red dirt road
kind of girl with a twinkle in

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00:29:12,840 --> 00:29:17,640
her eye. She loves to watch a
sunrise that sweet talk, sexy

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00:29:17,640 --> 00:29:21,740
walk, take me home to meet
moncaul. And I didn't know what

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00:29:21,740 --> 00:29:27,200
I was missing. She says, load up
that pickup truck, honey. Come

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00:29:27,200 --> 00:29:28,100
and pick me up. Now.

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00:29:29,240 --> 00:29:29,960
I lie. I'm gonna

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00:29:32,480 --> 00:29:35,000
get a deal. I I'm drunk on you,
and I'm high on my life.

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00:29:36,620 --> 00:29:40,940
No one knows where this road
even goes, running it fast, then

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00:29:42,440 --> 00:29:47,980
we'll take it real slow. What we
got. I don't want this to ever

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00:29:50,200 --> 00:29:50,560
end yet.

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00:29:51,880 --> 00:29:54,820
Tonight, I'm driving under your
influence. Oh.

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00:30:02,580 --> 00:30:06,420
It's been a long week. Can't
breathe city got me feeling

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00:30:06,420 --> 00:30:09,540
beat. I need some of you and me,

296
00:30:10,800 --> 00:30:14,580
you make my worries disappear
trying to paint. It's more than

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00:30:14,580 --> 00:30:17,700
clear. Girl, I didn't know what
I was missing.

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00:30:18,960 --> 00:30:21,020
Swallowed up my pickup truck,
Honey, I'll

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00:30:22,100 --> 00:30:22,880
come pick you up.

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00:30:27,380 --> 00:30:28,760
Now. I'm gonna get a d u I'm
drunk

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00:30:31,400 --> 00:30:33,740
on you, and I'm high on my life.
No one knows where this road

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00:30:33,740 --> 00:30:35,180
even goes. Running it fast, then
we'll

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00:30:38,420 --> 00:30:41,020
take it real slow what we got
it.

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00:30:47,080 --> 00:30:49,420
I don't want this to ever end
yet. Tonight, I'm driving under

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00:30:49,420 --> 00:30:49,600
your

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00:30:51,100 --> 00:30:51,580
influence.

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00:30:53,560 --> 00:30:57,820
I'm a home grown not too wild.
Something of a middle child

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00:30:58,120 --> 00:31:00,340
never been on the wrong side of
the law.

309
00:31:01,960 --> 00:31:06,000
Good at handling my drink, but
when I'm with you, I can't think

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00:31:06,360 --> 00:31:08,700
the prettiest thing I ever saw,
but

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00:31:09,900 --> 00:31:14,040
when you call, I lose control.
Climb into my four by four now

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00:31:15,240 --> 00:31:16,260
I'm gonna get a deal.

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00:31:18,240 --> 00:31:19,020
I'm drunk on you,

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00:31:21,000 --> 00:31:25,940
and I'm high on my life. No one
knows where this road even goes.

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00:31:26,540 --> 00:31:32,240
Running it fast, then we'll take
it real slow what we got. I

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00:31:32,240 --> 00:31:33,380
don't want this to ever end

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00:31:38,000 --> 00:31:38,600
here tonight.

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00:31:42,020 --> 00:31:49,120
I'm driving here tonight. Here
tonight I'm driving because

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00:31:49,120 --> 00:31:50,800
tonight I'm driving under your
influence.

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00:32:05,460 --> 00:32:08,460
This band is called out on the
streets, and

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00:32:11,040 --> 00:32:15,180
the name of the track is song to
change your life. Let me know if

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00:32:15,180 --> 00:32:15,480
it does,

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00:32:19,620 --> 00:32:20,360
let us live. Soldiers,

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00:32:22,160 --> 00:32:22,760
your patterns

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00:32:24,680 --> 00:32:25,940
would be proud.

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00:33:01,060 --> 00:33:03,660
Now you stand your expression.
Make sure

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00:33:14,220 --> 00:33:15,840
you look like everybody

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00:33:22,080 --> 00:33:29,000
saw Jesus. For a song to lead

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00:33:33,380 --> 00:33:33,500
the

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00:33:42,740 --> 00:33:59,440
world. Just

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00:34:02,200 --> 00:34:03,720
think back your time. Broke your
heart, it

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00:34:05,580 --> 00:34:05,820
just

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00:34:11,880 --> 00:34:14,520
explodes take over him, Not on
your past,

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00:34:18,600 --> 00:34:18,780
but

335
00:34:20,220 --> 00:34:20,520
on your

336
00:34:22,680 --> 00:34:23,060
future. Your

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00:34:26,840 --> 00:34:27,140
future.

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00:35:21,000 --> 00:35:22,100
So Did it change your life?

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00:35:24,020 --> 00:35:26,540
TJ Wong is back with a blues
track.

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00:35:27,560 --> 00:35:29,900
I'll always play some blues.
This is still waiting.

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00:35:33,620 --> 00:35:35,360
I don't understand.

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00:35:40,060 --> 00:35:40,120
I

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00:35:41,800 --> 00:35:43,780
don't understand

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00:35:46,780 --> 00:35:48,640
why you run away

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00:35:50,440 --> 00:35:52,060
every chance you can.

346
00:35:55,000 --> 00:35:56,620
Won't you tell me, babe,

347
00:35:58,000 --> 00:35:59,260
what I do wrong? I

348
00:36:03,240 --> 00:36:05,340
I couldn't buy you what you
want,

349
00:36:06,360 --> 00:36:08,280
and I'll sing your songs,

350
00:36:11,400 --> 00:36:13,260
but you still Run away,

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00:36:14,460 --> 00:36:16,440
darling. You're still Gone. Went
around all day.

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00:37:40,000 --> 00:37:40,180
But

353
00:37:51,040 --> 00:37:51,820
You never fear

354
00:38:11,460 --> 00:38:13,500
got I don't understand.

355
00:38:19,740 --> 00:38:21,620
I don't understand

356
00:38:24,740 --> 00:38:26,420
why you run away. Have a

357
00:38:28,400 --> 00:38:28,940
chance you can

358
00:38:33,020 --> 00:38:34,760
why you run away. Have a

359
00:38:36,500 --> 00:38:36,740
chance

360
00:38:41,180 --> 00:38:46,720
again, why you run away. You run
away.

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00:38:51,160 --> 00:38:52,780
Fantastic tune

362
00:38:56,440 --> 00:38:59,980
that is the end of the One Year
in your ear,

363
00:39:01,420 --> 00:39:04,440
anniversary. Extravaganza
podcast

364
00:39:05,760 --> 00:39:08,520
for SATs and sounds. You can go
to satsansounds.com

365
00:39:09,780 --> 00:39:11,760
I have links to every track you
heard today,

366
00:39:13,680 --> 00:39:16,020
and if you feel that you got
something good out of this

367
00:39:16,020 --> 00:39:19,500
podcast, you can hit my big red
donate button. It'll take you

368
00:39:19,500 --> 00:39:20,340
over to PayPal, or you

369
00:39:21,900 --> 00:39:25,880
can send something to me via get
Alby. I got a link there too.

370
00:39:30,680 --> 00:39:35,480
And also go to podcastindex.org
and hit up their donate button.

371
00:39:36,080 --> 00:39:38,540
They make all of this possible.

372
00:39:42,440 --> 00:39:43,780
So one year done.

373
00:39:46,360 --> 00:39:47,680
Let's try to do another year

374
00:39:50,920 --> 00:39:52,060
until next week

375
00:39:53,860 --> 00:39:54,280
later.

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00:39:59,860 --> 00:39:59,920
I.